The Mint Museum is pleased to announce the public debut of Lumisonica, a site-specific, interactive light and sound installation on the Grand Staircase of Mint Museum Uptown at Levine Center for the Arts created by Vesna Petresin. Beginning Friday, November 16, visitors will experience a changing canvas of ambient light and sound that responds to their movements as they climb or descend the stairs.
That evening, Mint Museum President & CEO Todd A. Herman PhD and artist Vesna Petresin will make remarks. The event begins at 6 PM with remarks anticipated at 6:30 PM. Petresin and Creative Design Lead Ben Mason will also be available to speak to the media. There will be a cash bar in the museum’s atrium, and the museum galleries will remain open until 9 PM.
Petresin, born in Ljubljana, Slovenia, is a trans-disciplinary artist who has exhibited and performed at the Tate Modern; ArtBasel Miami; the Royal Academy of the Arts; the Venice Biennale; the Institute of Contemporary Arts London; and the Vienna Secession. She is based in London, Amsterdam, and Berlin. She is scheduled to be an artist in residence at the McColl Center for Art + Innovation from January through April.
Mason, based in Asheville, runs a digital media business offering services such as media systems architecture and design, photography, animation, web design, sound design, show control/stage interactives, and more. He designed and implemented the lighting and sound systems and consulted on programming for Lumisonica.
The project was funded through a generous grant from The John S. and James L. Knight Foundation, which challenged museums to use technology to enhance the visitor experience.
Creating a multisensory landscape
Lumisonica transforms the museum’s main entrance into an unparalleled immersive experience that will be choreographed by the visiting public. Based upon the idea of the smart city, this multisensory landscape makes invisible space visible, audible, and tangible while aiming to increase people’s awareness that they can and do shape their own place, perceptions and reality. Lumisonica assures a daring and playful experience like no other in the heart of Charlotte’s flourishing art district. Juxtaposed near the large reflective Niki de Saint Phalle sculpture Firebird in front of the Bechtler Museum of Modern Art, this light and sound sculpture provides another dynamic feature to highlight entropic experiences, moiré patterns and other optical and perceptional illusions in this cultural area.
The “smart city” concept of this dynamic datascape is drawn from two components that change the form to an accessible visual/audio display based upon public movement and engagement:
Visual content is created by programmable LED light features embedded into the staircase and railings. The light effects are designed to work interactively based on data captured from the environment as well as on presets of visual effects. The light effects are programmed along a 24/7 schedule with pre-rendered sets at specific times of the day, combined with responsive effects based on criteria such as visibility, program of events at the museum, and the number of visitors.
Audio content permeates ambient sound loops designed to respond and support the light effects. These amplify the visitor’s feeling of presence in the environment and assist their spatial navigation, by amplifying the ranges of frequencies that translate to embodied sensations. The audio content includes composed soundscapes and loops of sonic textures as well as key framed musical motifs on specific days and at specific times to announce events.
“My work tries to offer a moment to remember we inhabit and co-create a multisensory symphony,” said Petresin. “The piece for the Mint has been inspired by the idea that matter is information under constant transformation, bringing memory, human connection, wonder, and innovation.”
Lumisonica will be in place during The Mint Museum’s upcoming exhibition Immersed in Light (Fall 2019 – Spring 2020). The exhibition will feature experiential lighting installations by four contemporary artists and designers at Mint Museum Uptown.
Staircase to enhance museum experience, visitation
The Mint was among 12 recipients of $1.87 million in funding from the Knight Foundation for new ways of using technology to immerse visitors in art. Institutions in cities including Philadelphia, Detroit, Miami, Minneapolis, Chicago, and New York City are joining Charlotte in creating new tools ranging from chat bots to augmented reality apps to engage new audiences.
Funding for this project is part of a Knight Foundation initiative to help museums better meet new community demands and use digital tools to meaningfully engage visitors in art. Knight, which promotes informed and engaged communities, has helped institutions—from newsrooms to libraries—adapt to and thrive in the digital age. This funding expands the foundation’s use of its digital expertise to help art museums build stronger, more vibrant communities.
“The arts have the rare power to bring diverse communities together, provoke personal reflection, and inspire new ways of thinking,” said Victoria Rogers, Knight Foundation vice president for the arts. “Our hope is that by integrating technology, museums can better reach and engage audiences in ways that connect them to the art.”
ABOUT VESNA PETRESIN
Vesna Petresin is currently an Artist-in-Residence at Amsterdam University of the Arts and a Visiting Fellow at Goldsmiths (University of London). She has been an Artist in Residence at ZKM in Germany and created a London-based trans-disciplinary art collective whose exploration of optics, acoustics and psychology takes the format of performance, installation and artifact.
As a time architect, non-object based designer, space composer and performer, her practice utilizes an alchemy of media and senses (sound, film, space, interaction, and performance) to take art out of the white cube and bring it into an immersive experience. The key concept is transformation—of the material, the immaterial and the self.
Petresin seeks elements to link cultures rather than separate them and pays attention to archetypal formal constants and patterns existing in nature, human perception and the creative process. Her work in immersive light is ground-breaking and has been featured at Tate Modern, ArtBasel Miami, Venice Biennale, The Royal Festival Hall, The Royal Academy of Arts, ICA, The Sydney Opera House, Vienna Secession, Cannes International Film Festival and Kings Place among others.
Petresin’s academic background in classical music and architecture has propelled her as a Fellow of the Royal Society of the Arts, a Member of the Architectural Association, a keynote speaker at symposia including “SuperLux: Smart Light Art, Design and Architecture for Cities” (Technical University of Munich, 2016), the XR Summit (ISE at RAI, Amsterdam 2018) and a print author of internationally notable publications. She has written on smart cities (Thames & Hudson, Black Dog) and on Leonardo da Vinci’s creative methods in relation to 21st century view of morphogenesis in art and design for Springer Publications.
ABOUT THE JOHN S. AND JAMES L. KNIGHT FOUNDATION
Knight Foundation is a national foundation with strong local roots. We invest in journalism, in the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy.
Mint Museum Uptown
The Mint Museum’s collection of American Art includes paintings, unique works on paper, prints, sculpture, and photographs created from the Colonial Era through the Second World War.
About The Collection
The Mint Museum’s collection of American Art includes paintings, unique works on paper, prints, sculpture, and photographs created from the Colonial Era through the Second World War. Within these chronological boundaries are three areas of strength: Federal portraiture, 19th century landscape painting, and early 20th century realism.
Portraiture was the dominant form of art in America until the middle of the 19th century. The museum’s collection includes portraits by many leading artists of this period, including John Singleton Copley, Gilbert Stuart, and Thomas Sully. Their paintings create a window through which to view the personalities, fashions, and cultural values of our ancestors. Featured sitters range from important historical figures to charming young children.
As the 19th century unfolded, landscape painting became increasingly popular. Through the Mint Museum’s collection you can trace the evolution of this genre from the work of the Hudson River School painters such as Thomas Cole and Sanford Gifford, who focused on the natural beauty of our country’s topography, through the rise of Impressionism: a movement whose artists celebrated a more abstract, subjective view of their surroundings.
By the 20th century, a new generation of American artists sought an alternative to Impressionism. These new realists, sometimes known as The Ashcan School focused on everyday life and the common man. The museum holds significant works by many of these artists, including their leader, Robert Henri, and his associates William Glackens, George Bellows, George Luks, Everett Shinn, and Ernest Lawson.
The American Art Collection has relocated for a featured space at the Mint Museum Uptown. In a suite of five galleries, old favorites, new additions, and works not seen for a decade or more will be reinstalled alongside furniture, ceramics, and historic costumes that, experienced as a whole, will provide viewers with a meaningful view into this country’s rich artistic and historical past.
Craft + Design
Mint Museum Uptown
This collection celebrates moments of artistic and design excellence in the areas of glass, fiber art, metal, studio jewelry, design, studio furniture, wood art, and clay.
About The Collection
The Mint Museum collects international contemporary decorative arts in the areas of glass, fiber art, metal, studio jewelry, design, studio furniture, wood art, and clay. The Craft + Design Collection celebrates exceptional moments of artistic and design excellence. While works range in date from the mid-twentieth century to the present, the museum’s collecting focus is on the twenty-first century. Mint Museum Uptown, which opened in October 2010, offers an incredible opportunity to exhibit more of the museum’s permanent collection with expanded exhibition space. The Mint Museum continues to build a collection of masterworks, produce scholarly publications, and collaborate closely with contemporary artists, keeping the museum at the forefront of the world of contemporary decorative arts.
The craft and design world has seen significant changes since the Mint Museum of Craft + Design opened its doors in 1999. In response to these changes the museum strives to become a forum for dialogues about current issues of concern in the field, such as craft theory, aesthetics, and technology. Forging alliances within Charlotte, North Carolina, nationally, and internationally, the museum is finding new ways to integrate craft and design into the broader conversation about art and society.
For more information on the Mint’s Craft + Design affiliate group visit The Founders Circle information page.
Mint Around Town
The Mint Museum’s collection extends well beyond museum walls. For many decades, the Mint has kept its commitment to sharing its art with the larger community. From the heart of Uptown to the campus of the University of North Carolina at Charlotte (UNCC), the Mint has installed significant works from its collection in public spaces. Click each image for more details.
Modern + Contemporary
Mint Museum Uptown
Contemporary Art is the art of our time; art that is recent, new or existing now, or art that reflects diverse societal values, identities, and pertinent issues within the public discourse.
About The Collection
The Modern & Contemporary Art collection consists of works of global significance and vision, representing a perspective that reflects our own diverse and vibrant community. The Mint Museum is committed to building upon a dynamic foundation of paintings, photography, works on paper, artist books, sculptures, installations, and new media (digital, video, and time-based works) that conveys important cultural developments and stylistic innovations and are available for the benefit of all.
Want to see more? Begin exploring and be inspired by The Mint Museum’s permanent collection of American Art.
Native American Art
Mint Museum Randolph
The Mint Museum’s collection of modern and contemporary Native arts of the Americas showcases works from Canada, the United States, Mexico, and Guatemala, from the nineteenth century to today.
About The Collection
Native peoples throughout the Americas have persevered five hundred years of colonization and persecution since the sixteenth century. Their arts have played a key role in survival, preserving cultural identity and the fundamental principles of society and spirituality that sustain all human civilizations. The Mint Museum’s collection of modern and contemporary Native arts of the Americas showcases works from Canada, the United States, Mexico, and Guatemala, from the nineteenth century to today. They reveal the resilience of human creativity and the artists’ aesthetic responses to Native culture and our modern world. These artworks complement the museum’s comprehensive collection of the art of the ancient Americas, providing the rare opportunity to compare Precolumbian and modern Native expressions in a variety of media.
The Mint Museum’s Native Americas collection was donated by Gretchen and Nelson Grice who began collecting in the late 1980s. They admired the remarkable artistic expressiveness and marvelous craftsmanship of these works in clay, wood, and fiber. Four art forms are featured in the Grice Collection–Native American and Canadian basketry, performance masks from Mexico, Guatemala, the United States and Canada, Maya textiles from Guatemala and Chiapas, Mexico, and contemporary ceramics from the Southwest and other Native peoples in the United States.
The Maya textile collection features the myriad traditional clothing styles that distinguish the different peoples and towns in southern Mexico and Guatemala. The performance masks, mostly from Mexico, illustrate the variety of dance pageants and their many characters that are essential to contemporary community life. The basket collection includes many early examples of the finest quality such as those from northern California. And the ceramics, primarily from the Southwest, feature pottery styles and artists mostly from New Mexico and Arizona. The Grices visited many of the artists in their workshops, becoming friends and acquiring their works before they became famous. Thus the collection not only presents an extraordinary range of artistic styles but also many early pieces from now-prominent Native artists.