Building on talent and tradition, ceramic artists leave their mark through clay creations in the Mint’s permanent collection
By Annie Carlano, Senior Curator of Craft, Design & Fashion, and Rebecca Elliot, Assistant Curator of Craft, Design & Fashion
Locally, across the country, and across the pond, North Carolina is known as the “clay state.” With an abundance of clay in the soil from the Piedmont to the mountains, centuries of pottery making, and generations of families making objects of exceptional craft and design, by the early 20th century an appreciation for North Carolina ceramics grew. In the 1960s, amid the back-to-the-earth cultural movement, pottery was collected, exhibited, and published widely, and the was the subject of scholarly inquiries and symposia.
Building on the talent and traditions of the past, in the 21st century, North Carolina has attracted potters and sculptors from throughout the world who seek good local clay bodies, but a community of makers and a lifestyle that values simplicity.
North Carolina ceramics is one of the great strengths of the Mint Museum’s permanent collection. Its contemporary holdings continue to grow through the generosity of many individuals. Striving to represent the full range of artistic production throughout the state, the Mint has amassed a collection that includes jugs, tableware, sculpture, and installation art. A sampling is featured here for your enjoyment.
Fine functional and decorative objects are also featured in the Mint Museum Store at Mint Museum Uptown.
Cristina Córdova’s figurative installation, Preludios y Partidas, commands a wall at one end of the Clay Gallery on Level 3 at Mint Museum Uptown. This subtle yet powerful psychological work was created nearly a decade ago yet is prescient. Córdova says: “In understanding this piece as a metaphorical topography, I wanted to use the title to hint as to what that corresponding psycho-emotional space would be. This landscape is one of transition and like the reference to the distillment of reason and logic from uncertainty and chaos, these figures are in the preliminary charged states (preludios) before a great action (partidas). Although the floating concrete elements could hint of the residual vestiges of a previous reality, I am not thinking of it as further leading to an ending but to the beginning of a new cycle. Common to the human experience are profound shifts where the ground gives way and one is thrust into powerful periods of self-reflection, growth, and renewed vision; this is how this space looks in my mind right before the next grand launch.”
Born in Boston, raised in Puerto Rico, Córdova received a BA, magna cum laude, University of Puerto Rico at Mayagüez, Colegio de Agricultura y Artes Mecánicas, Mayagüez, Puerto Rico, in 1998, and an MFA in Ceramics from New York State College of Ceramics, Alfred University, Alfred, New York, in 2002. Her sculptures are included in other prestigious museum collections including the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C., Fuller Craft Museum in Massachusetts, Museum of Contemporary Art of Puerto Rico, and the Mobile Museum in Alabama, as well as important private collections. The recipient of numerous awards and honors, she currently lives and works at Penland School of Craft in the Blue Ridge Mountains of North Carolina.
Two Tall Vases form an elegant sculptural pair illustrating the skill and aesthetic of clay artist and entrepreneur Alex Matisse. The large vessel forms are beautifully shaped with hints of the handmade in the faint throwing lines and gracefully manipulated drip glazes. Based on traditional North Carolina storage jugs and inspired by English and Asian wares, Two Tall Vases signal a transitional period in Matisse’s career, when his mastery of regional forms and global techniques led to a period of experimentation and the emergence of his unique contemporary style.
Matisse grew up in Groton, Massachusetts and studied at Guilford College in Greensboro, North Carolina where he discovered the rich history of the ceramics of our state. Dropping out of college to undertake apprenticeships with Matt Jones and Mark Hewitt, he started East Fork Pottery at the age of 25 along with his now wife Connie Coady Matisse, and John Vigeland. East Fork Pottery was founded on the principles of William Morris (British, 1834- 1896) that life is improved by living with objects that are beautiful, handmade, useful, and affordable. With their clean lines and muted colors, the simple everyday tableware and objects are staples in several restaurant dining rooms and are popular on wedding registries.
In Storage Jar, with its broad strong rim, a robust vernacular shape is transformed into an elegant vessel, through its small delicate handles, surfaces markings, and glaze. Matt Jones achieves a timelessness in this and other works in the Mint’s collection through his deep knowledge and mastery of historic forms, the wood firing process, salt and alkaline glazes, and slip trailing. According to Jones, “It is important to me that my work is grounded in the Carolina traditions that go back 150 years, but I feel quite free to incorporate a modern sensibility and ideas from other cultures.”
Matt Jones fell in love with clay as a student at Earlham College in Indiana. His academic education was followed by an apprenticeship with Todd Piker at Cornwall Bridge Pottery in Connecticut, and another with Mark Hewitt of Pittsboro, North Carolina. In 1998 Jones set up his own pottery studio in Leicester, North Carolina. Today the studio is owned and run by Matt and his wife Christine. Using blue pipe clay—so named because it was once used to make pipe tobacco heads—Matt Jones continues to make a variety of garden pots and vessels.
The MiSe Vase is a stunning example of Ben Owen III’s artistry. Though massive in size, it is perfectly symmetrical, displaying Owen’s great skill in throwing pots at any scale. The vessel’s rich blue color with hints of burgundy around the rim and on the handles demonstrates his mastery of a wide variety of glazes and his willingness to continually push himself to develop new glaze types. Its shape and the title MiSe reflect his knowledge of Asian ceramics, especially the Chinese ceramics tradition. In 2007, Owen traveled to China as part of a delegation of American political and community leaders and had the honor of presenting his work as gifts for the delegation’s Chinese hosts. During that trip, he also visited museums and pottery villages in China and Japan.
Owen comes from a long line of potters who settled North Carolina in the eighteenth century and made functional wares for the next two hundred years. Owen learned pottery beginning at the age of 8 from his grandfather, Ben Owen Sr., who had worked at Jugtown Pottery near Seagrove and later established his own pottery, Old Plank Road Pottery in Westmoore, North Carolina. Ben Owen III studied business at Pfeiffer University and earned a BFA in ceramics from East Carolina University in 1993. During the 1990s, he traveled to visit potters in Japan, Australia, and New Zealand. Since 1999, he has operated his own studio at the Old Plank Road Pottery.
This Large Jar by David Stuempfle illustrates his skill at throwing large forms and achieving interesting glazing effects solely through the chemical reaction of clay and wood ash in the kiln. Dripping lines of brown and splotches of off-white add visual interest and complement the jar’s round form, accenting its background hues of rich brown, beige, and charcoal gray. Stuempfle makes his own clay body and slip from a mix of clay from his land and elsewhere in Seagrove, North Carolina, and commercially mined clays.
Originally from Gettysburg, Pennsylvania, Stuempfle first studied ceramics at the High Mowing School in New Hampshire. He then worked for many years as a journeyman potter in various states, including Tennessee and Wisconsin, as well as in Asia. When he relocated to North Carolina, he worked first for M.L. Owens Pottery and Jugtown Pottery before settling permanently in Seagrove. He built his wood-burning kiln there in 1992 and specialized in salt-glazed stoneware for several years but has recently stopped using salt glaze. His sources of inspiration include Chinese, Japanese, and Korean pottery.
On this lidded jar, Pam Owens has thrown a classic shape inspired by traditional Asian vases and complemented it with glazes in rich jewel tones of deep turquoise, burgundy, blue, and purple. The placement of the burgundy glaze around the jar’s shoulder highlights the elegance of its form. The jar’s small scale and silver lid further indicate that its purpose is decorative. The lid is by Jennie (Jennifer) Lorette Keatts, Pam’s sister, a jeweler in Seagrove, NC whose jewelry often features glazed ceramic “gems” made at Jugtown Pottery.
The Lorette sisters were raised in New Hampshire. Pamela first studied pottery there in 1975 and became an apprentice at Jugtown in 1977. After further apprenticeships in New Hampshire, she returned to Jugtown in 1980 and three years later married its owner Vernon Owens. Since then they have been the principal potters, as well as managers of this historic pottery, which was founded in 1921 by Jacques and Juliana Busbee. The Busbees were artists from Raleigh who sought to reinvigorate the North Carolina pottery tradition by introducing Asian forms and glazes. The grandfather of Ben Owen III, Ben Owen senior, worked at Jugtown Pottery as a potter from 1923 to 1959. Ben Owen and Vernon Owens are from the same family line, although Vernon’s grandfather added the ‘s’ to his name.
What’s the difference between pottery and ceramics?
Ceramics are clay objects that have been heated and chemically changed. Clay is porous and water-soluble, but ceramics are not. Pottery is a subcategory of ceramics that refers to vessels but not sculptures. The vessels can be functional or not. Pottery also has something of a rustic connotation, such that earthenware and stoneware are called pottery, whereas porcelain objects are called ceramics.
Perfectly pottery: Shop 8 of NC’s top pottery makers wares at The Mint Museum Store
The Mint Museum Store is a one-stop-shop to see many different styles of some of North Carolina’s top pottery artists, including Ben Owen, East Fork Pottery, and Erin Janow. Throughout the month of September all pottery at the store is 25% off. Start your holiday shopping with a visit to the store, and learn about some of the top pottery makers represented at The Mint Museum.
Ben Owen III
Ben Owen III continues a family tradition of pottery making that dates back to the 1700’s. His forefathers came to North Carolina from England to poly their craft and furnish storage jars and other utilitarian wares to early settlers. One of the most acclaimed and collected of today’s current North Carolina potters, Owen began his craft at an early age under the tutelage of his grandfather, Ben Owen I, a master potter himself. Owen went on to formally study ceramics at East Carolina University, where he garnered many awards and a BFA in ceramics in 1993. His pottery reflects a foundation in traditional designs alongside Asian influence. His work can be found in many museums including ours, The Mint Museum. Also, notably, The Smithsonian Museum of Art and the Boston Museum of Fine Arts. Singer/songwriter James Taylor and golfer Arnold Palmer are among the notables whose collections include works by Ben Owen III.
Dean and Martin Pottery
Jeff Dean and Stephanie Nicole Martin, both born and raised in the heart of North Carolina, rely on their love of nature and the land as inspiration for living the life of potters. Jeff received a BFA in ceramic design from East Carolina University. Balancing form, function and design, his forms usually come from something seen on a city walk or in nature. Stephanie received a BFA in design with a concentration in ceramics from UNC-Greensboro. Often utilizing digital, as well as printmaking, techniques, she builds the surfaces of her vessels. She makes hand-built and wheel-thrown objects using color, pattern, floral and figurative images to evoke a feeling of nostalgia. Watching her grandmother sew and quilt influenced her sense of craft and design, as well as her love of 1960’s and 70’s culture and music.
East Fork Pottery
East Fork Pottery, founded in 2010 by Alexander Matisse (great-grandson of Henri Matisse) and Connie Coady, is nestled in the Blue Ridge Mountains in Asheville, North Carolina. East Fork designs, manufactures and sells durable ceramic dishware. Their lines are simple and fundamental. Unadorned, the work is distilled to its essential elements: form and function. It is durable and timeless, resistant to fashion and trends. Alexander along with their team of talented artisans, make their pots with dynamic, iron-rich clays dug from the American south East and colored with glazes formulated and mixed in-house. The glazes are often limited-edition colors and the collection of colors we have in the store, are from a limited batch, unavailable now from the studio itself.
Erin Janow is a potter, a wife, a mother, and a cook. Born and raised in Indiana, Erin graduated from Indiana University earning a bachelor’s degree in Fine Arts and Art History. She began her apprenticeship working for Magnum Pottery in North Carolina as an understudy, honing her craft there for nearly seven years. In January 2009, she ventured forth as a solo potter to develop her own line. She began devoting much of her time developing new glazes and techniques and, along with her husband, a jewelry maker, working in a studio conveniently found in the basement of their home in Asheville. Erin has said, “My work is designed to be user friendly and functional. Because I also have a passion for cooking and family, my hope is that others will find happiness using my pottery when cooking meals for their families, in turn.”
John Ransmeier grew up in Asheville, North Carolina. John was introduced to clay in 1968, and just two years later, he built his first kick wheel. John worked with many potters perfecting his art and co-founded the Biltmore Clay Company in Asheville in 1976. His work can be seen in galleries throughout the country and has been collected by such notables as Oprah Winfrey. The daily challenges of ceramic materials and techniques become rewards when he passes on his work to a receptive new owner.
Jugtown Pottery is a working pottery and an American Craft Shop located in a grove of trees and bamboo eight miles south of Seagrove, in Moore County, NC. It is just off Busbee Road, a road named for Jacques and Juliana Busbee, the founders of Jugtown. Both artists with a love of craft and form, together they created Jugtown Pottery, melding forms from ancient traditions with those developed in North Carolina. In 1917 they created The Village Store and Tea Room in New York City, and in 1922 they began stamping each piece with the circular Jugtown Ware stamp.
The forms derive from simplicity and practice, a continuous line, then a complimentary glaze and occasional decoration. Drawing from the North Carolina tradition, you will find jugs, pitchers and candlesticks in wood fired Salt Glaze and Frogskin, and tableware in green, blue, brown, and gray. Vases, bowls, and jars in glazes made with wood ash, local clays, copper reds, greens, and iron earth tones, have origins in world clay traditions.Jugtown thrives on the aesthetic foundation laid out by the Busbee’s. Vernon Owens, recipient of the NC Folk Heritage Award and the NEA National Heritage Fellowship, wife Pam, son Travis and daughter Bayle are the main potters, while Bobby Owens mixes clay and glazes the pieces.
Turtle Island Pottery
Owned by Maggie and Freeman Jones, Turtle Island Pottery is named for an American Indian creation story. In its simplest form, a turtle swam to the bottom of the waters that covered the world and brought up mud to make the land. Turtle hatched her eggs on this land, and everything has come from this. Maggie and Freeman have made their living from the very stuff of creation since 1984. Their handmade stoneware pottery is both functional and decorative, with a sculptural feel. Maggie says of her process, “When I think and plan about the clay and glazes in the heat of the kiln, I envision lava flowing, crystals growing and flowers blooming. Earth, air, fire and water minerals reacting with one another, like when the earth was being formed.”
Jim Whalen’s one-of-a-kind vessels are turned on a potter’s wheel, then burnished and coated with terra sigillata, an ultra-refined clay slip that can give a soft sheen when applied to bone-dry wares and, if polished or burnished while still damp, may give a high gloss. The ancient Greeks and Romans used this technique in lieu of glaze. After bisque firing, patterns and images are created with wax resist. The patterns he creates are sometimes mathematical, sometimes emotional, but always drawn from within and are intended to evoke images of an evolving planet. His unique firing process explores the lower temperature ranges of wood, salt, and soda, enhancing these patterns. Because the process is challenging and unpredictable, each piece achieves a uniqueness that is impossible to duplicate.
Tune In puts focus on where we’ve come as a society and where we are going … for better or worse
A larger-than-life outdoor diorama is coming to the plaza at the Levine Center for the Arts just outside Mint Museum Uptown. The 4,000-pound multidimensional diorama titled Tune In, created by local artist Richard Lazes and his studio team of fellow creatives at the Art Factory, is a sculpture of six stacked televisions from the 1960s in an enclosed room with wallpaper, pictures and linoleum that replicate a TV room of the time.
Tune In will be installed on Wells Fargo Plaza outside Mint Museum Uptown in tandem with the grand re-opening of the museum. The installation will be accompanied by food and live music during the Mint’s grand re-opening celebration. (Museums currently are grouped in Phase III opening guidelines. Re-opening dates will be announced when the latest guidelines from North Carolina Governor Roy Cooper are confirmed).
Televisions in the installation display a collage of rolling snippets of media programming from the 1950s and ’60s, including news segments like the launch of Apollo 11, sitcoms and tv dramas, live musical performances by the likes of Little Richard and The Beatles. It’s a reflection of history that is mirrored in society today, as well as a display of media that has—and continues to—heavily influence the way people think and act. He hopes that Tune In stimulates conversations among viewers to consider where we have come from and where we are going as a society.
Lazes wanted to create a piece of art that put the pandemic crisis of 2020 and social unrest in some type of historical perspective. The massive sculpture was created by dissecting vintage television sets found in antique shops, and then assembled into a precarious formation indicative of the dysfunctional state of our society today. Six LED screens replace the old television tubes. In order to create content for the screens, he created a video collage mined from 100 hours of TV shows and news media during the 1960s to create iconic TV shows, great musical performers by the entertainers of that day and news clips of current events during that time period.
“It’s been 60 years since these programs were broadcast on TV and while video programing has become more politically correct it is unclear whether American culture and society has become any more fair and equitable,” he says.
Lazes recognizes that shows like “The Jeffersons,” “The Little Rascals,” Lucille Ball, and “Sanford and Son” were misogynistic, chauvinistic and racist, portraying a very shallow and prejudiced view of women and blacks. “These portrayals of minorities were indicative of that period. While we have moved a long way to a more magnanimous and politically correct viewpoint in our media, I wonder if our society has really changed in the way we treat one another,” he says.
But television programming of that period also brought families together to watch favorite shows.
“With the introduction of the internet, personal computers, and smartphones, we have become isolated and no longer came together with friends and families to take in a shared media experience. Perhaps a silver lining of the pandemic is that it has brought us back together as families to sit in front of the TV set as newscasters and politicians brief us on the status of the pandemic. With all of the discord and alienation in society, we are all in need of some introspection and a positive message so I hope that my sculpture will contribute to the healing process.”
Tune In is scheduled to travel throughout 10 cities, including Charlotte, Washington D.C., Boston, New York, Chicago, Atlanta and Los Angeles. At each stop of the exhibit, Lazes along with co-director Aaron Atkinson will interview and film local artists to document how they are leveraging their creative talent to bring hope to each city. The documentary “Artists in Quarantine: American Creativity During the 2020 Pandemic” will showcase how creatives took their craft to showcase truth, justice and hope in a time of despair, and is scheduled to stream on Netflix in 2022.
15+ items that celebrate women, and the centennial of women’s suffrage
This one’s for the women — and men who respect women’s rights. This year marks the centennial anniversary of women getting the right to vote. On Aug. 26, 1920, the 19th amendment passed giving women the right to vote. The vote opened opportunities for women to innovate, create and legislate for women’s rights — and art by women for women has always been a social commentary to push change. As a matter of fact, The Mint Museum’s history is rich with generations of women dedicating time to establish and grow The Mint Museum, including Mary Myers Dwelle who was the driving force behind the creation of the first art museum in North Carolina. Read more about how the Mint’s history is women’s history.
The curated list of art, books, cards and more below celebrate the strength and voice of women, and are all available at the Mint Museum Store.
Books that tell “her”story.
Pandemic puzzle project with a lesson. Get it for the kids and you. eeBoo is “Woman Owned. Mother Run. Sustainable Sourced.”
Send a note of inspiration with these notecards that celebrate strong women.
A reminder in every sip of the different women and how each has made a difference in their own way.
The notorious R.B.G once said “Fight for the things you care about, but do it in a way that will lead others to join you.”
Originally published in 1973, The New Woman’s Survival Catalog is a survey of the second-wave feminist effort across the United States.
A throw with a thoughtful message and design — something we can all use a little more of these days.
Career Chat with Mint Staff
Get a sneak peek of our newest exhibition New Days, New Works
Books for kids, and podcasts for parents that help teach justice for all
Teaching children anti-racist values begins when children are young, and continues as they go through the various ages and stages of childhood. Here are expert resources for reading and listening to help navigate the ins and outs of teaching future generations, and helping to break racial barriers for a clearer path to justice for all.
Picture books to graphic novels, and a lot inbetween
Dictionary for a Better World: Poems, Quotes, and Anecdotes from A to Z. Each entry presents a word related to creating a better world, such as ally, empathy, or respect, and related quotes and poems.
Antiracist Baby Picture Book. Written by founding director of the Boston University Center for Antiracist Research Ibram X. Kendi, Antiracist Baby Picture Book offers parents and their little ones nine ideas to build a more equitable world through playful text and bold illustrations.
Coretta Scott King book award winners. Awarded to African American writers and illustrators whose books explore African American experiences and humanity, the Coretta Scott King book award winners showcase a variety of fiction, biographies and nonfictions for babies to teens.
20 Picture Books for 2020: If a picture can say 1,000 words, then these stories that embrace race are a great beginning.
Early Childhood: Activism and Organizing. A smart guide to choosing anti-bias children’s books, plus a curated list of book that touch on social justice in a kid-friendly and explainable way.
An Anti-Racist Graphic Novel Reading List. For tweens and teens who love a graphic novel, these selections “address topics including the Civil Rights Movement, hip-hop, gentrification, white supremacy, the criminal justice system, police brutality, and the lives of black women.”
Podcasts for parents who want real talk about real issues
Parenting Forward. Author, blogger, community leader and mother Cindy Wang Brandt features interviews with authors and thought leaders from progressive faith spaces, monthly listener question shows, and practical strategies for parents, grandparents, and anyone who loves children and wants to commit to treating children with justice in her podcast Parenting Forward.
Fare of the Free Child Akilah S. Richards and guests discuss the fears and costs of raising free black and brown children in a world that tends to diminish and dehumanize children of color in the Raising Free People podcast.
Raising White Kids with Jennifer Harvey. Dr. Jennifer Harvey discusses her book Raising White Kids: Bringing Up Children in a Racially Unjust America, as well her personal journey towards anti-racist organizing, educating, and child rearing.
Talking Race With Your Young Child (NPR). A discussion between NPR journalist Noel King, anti-racism scholar and author Ibram Kendi, and author Renee Watson about how to be intentional when talking about race, plus tools to guide conversations with kids.
Fiber artist Dr. Carolyn Mazloomi’s passion for educating through art leads her to curate We Are the Story
She thought she’d be settled into retirement by now, but Carolyn Mazloomi’s passion for her art pushes her to keep making, curating and working. Mazloomi, who earned a doctorate in aerospace engineering from the University of Southern California and worked as a pilot and Federal Aviation Administration crash site investigator, became involved in fiber artists and quilting in the early 1970s, and founded the Women of Color Quilters Network in 1985. She currently is spearheading and curating the exhibition We Are the Story, set to open at various sites throughout Minneapolis later this summer. The exhibition is a response to the death of George Floyd in the hands of a Minneapolis police officer.
We Are the Story is a series of six quilt exhibitions by the Women of Color Quilters Network, and Textile Center created under the curatorial direction of Mazloomi. The series is organized around the themes of remembering those lost to police brutality, history of civil rights, and racism in America.
“I am an artist quiltmaker, and I like to tell stories,” says Mazloomi. “Most of the work I do deals with issues of race or status of women, and a lot of the work is somewhat controversial, but I hope viewers look at it and learn something and think about things and how things possibly could be.”
As a mother and grandmother, Mazloomi was rocked when she saw the video of George Floyd being pinned to the ground, and heard him cry out for his mother.
“It just shook me to my core. I cried for days because it was sad and tragic how he passed. But hearing him call for his mother personified the role of women in the sphere of the universe,” she says.
Mazloomi is a believer in the dynamic power of females, and has been involved in the economic development of women through the arts for over 30 years. Throughout her career of making textile art, many of her works showcase the women and their strong role in society.
“Young women need to know about the power they wield. As women, we are the first teachers because we give birth. We are the teachers of humanity. It’s a position that influences all of humanity,” she says. “The first word a baby learns is usually mama and it’s so strange that the last thing a human being may talk about when dying is their mother. They call on their mother.”
A self-proclaimed news addict, she listens to news while she works. Her quilts serve as a response to what’s going on in her environment, and the world, and is meant to evoke thought.
“My inspiration always comes from the environment around me. Currently the environment is very toxic, so I’m creating work about human condition — not just here in the United States, but of refugees around the world because women and children form the greater population of refugees,” she says.
When asked what she hopes to see evolve from the protests, pandemic and social struggles of now, she answers with the wisdom, patience and hopeful tone of someone who has weathered years of society’s injustice.
“Let’s deal with the pandemic first,” she says. “Because African Americans are disproportionately affected, they are dying more than anyone else,” she says. “Hopefully out of this pandemic, maybe it will help African Americans. They have health issues brought about due to racism because they don’t have access to good housing and healthcare, which plays into susceptibility to the virus.”
Thirteen people in the Women of Color Quilters Network died due to COVID-19. She and other members of the network collectively made more than 27,000 masks that were given to healthcare workers, nonprofit organizations, funeral homes and other places of need.
“When it comes to protests, I am happy to see protesters aren’t just African Americans, but a diverse group of people around the country,” says Mazloomi. “Anything that can prompt racial equality and justice in America is a good thing. Hopefully something good will come of these demonstrations, and our government and individuals will make efforts to be more civil to one another and see equality for all American citizens.”
Mazloomi was awarded the first Ohio Heritage Fellowship Award in 2003. Ohio Heritage Fellows are among the state’s living cultural treasures. Fellows embody the highest level of artistic achievement in their work, and the highest level of service in the teaching and other work they do in their communities to ensure that their artistic traditions stay strong. In 2014 Dr. Mazloomi was given the National Endowment for the Arts National Heritage Award, the highest award in the nation for traditional art. She was also inducted into the Quilters Hall of Fame Museum the same year.
Mazloomi’s quilt Gathering of Spirits has been part of The Mint Museum collection since 1999, and is set to be on view in the Schiff-Bresler Family Fiber Art Gallery at Mint Museum Uptown in February 2021.
6 books for children that teach about Black history, cultural differences and similarities
The journey to a more just world grows with children. Books open up a view of the world to children outside their own neighborhood. These six books, and many others, are available at Mint Museum stores, which are open for business.
Voice of Freedom: Fannie Lou Hamer, Spirit of the Civil Rights Movement
A Caldecott Honor Book written by Carole Boston Weatherford and illustrated by Ekua, Voice of Freedom: Fannie Lou Hamer tells the story of civil rights hero Fannie Lou Hamer who participated in marches, sit-ins, and voter-education training. She also endured police brutality, time in jail and bullets shot into her home. Malcolm X called her “the country’s No. 1 freedom-fighting woman.” This book celebrates Fannie Lou Hamer’s life and legacy with a message of hope, determination, and strength. (Candlewick, $17.99).
Crown: An Ode to the Fresh Cut
This rhythmic, read-aloud title by Derrick Barnes, illustrated by Gordon C. James, is an unbridled celebration of the self-esteem, confidence, and swagger boys feel when they leave the barber’s chair. Winner of a Coretta Scott King Author Honor, Newberry Honor, and Caldecott Honor, and named a best book of 2017 by NPR Books, Huffington Post, Publishers Weekly, Kirkus Reviews, the Los Angeles Times, the Boston Globe, the Horn Book Magazine, and the News and Observer.. (Agate Bolden, $18.95).
Talking Walls: Discover Your World
Written by Mary Burns Knight and illustrated by Anne Sibley O’Brien, is a story about walls the stories they could tell if they could talk, from how some walls kept people out to how they became symbols of dreams, memories and fear. Talking Walls has won honors, including the Boston Globe’s Top 25 Non-Fiction Children’s Books, and winner of a Mom’s Choice Gold Award. (Tilbury House, $9.95).
Daddy Played the Blues
Follow Cassie as she travels with her family moves to Chicago from the South, and music, particularly Blues, travel with them throughout their journey. Daddy Played the Blues is a picture book tribute to the African-American odyssey for social and economic justice, and how music was a rich part of the daily lives of Black people. Written and illustrated by Michael Garland. (Tilbury House, $17.95).
Written by street photographer and storyteller extraordinaire Brandon Stanton, this 40-page picture book combines some of his favorite children’s photos with a heartwarming ode to little humans everywhere. (Farrar, Straus and Giroux, $17.99).
Blue Sky White Stars
Written by Sarvinder Naberhaus and illustrated by New York Times bestselling and Caldecott-honor winning artist Kadir Nelson, Blue Sky White Stars is an ode to our nation’s greatest and most enduring symbol — our flag. Nelson’s artwork brims with iconic American imagery, including majestic landscapes and the beauty and diversity of its people. From an image of the Statue of Liberty to a depiction of civil rights marchers banded together, the art for each spread depicts a sweeping view of America. (Dial Books, $17.99).