The Mint Museum renames its planned giving program The Dwelle-McBryde Society in honor of longtime supporter Neill McBryde’s commitment to the museum

The Mint Museum renames its planned giving program The Dwelle-McBryde Society in honor of longtime supporter Neill McBryde’s commitment to the museum

FOR IMMEDIATE RELEASE Charlotte, North Carolina (July 20, 2021) — The Mint Museum’s planned giving program, The Dwelle Society, is being renamed The Dwelle-McBryde Society in honor of Charlotte attorney Neill McBryde’s steadfast support of the museum.

McBryde was recognized as one of the top 45 estate planning lawyers in the U.S. by Town & Country magazine in the course of his career, and was named in Best Lawyers in America, Trusts and Estates, 1983-2021; Litigation & Controversy – Tax, 1983-2021; Tax Law 1983-2021. He also was a leader in the Charlotte-based Moore & Van Allen law firm for decades. A champion of legacy giving, he understands the value of planned giving programs for the long-term sustainability of institutions and nonprofits, whether The Mint Museum or his beloved Myers Park Presbyterian Church and its outreach ministries. This honor also marks the occasion of McBryde’s retirement from the practice of law at the end of 2021, after many years of dedicated service to his clients, the firm, and the community.

Neill McBryde
Neill McBryde

McBryde was a driving force behind the establishment of the Mint’s Dwelle Society in 1996. In 2010, he was a founding member of the Mint’s Crown Society, an annual giving circle comprised of museum patrons contributing $1,200 or more to The Mint Museum’s Annual Fund. He also served on the Mint’s board of trustees for multiple terms, once as board chair, as well as on numerous committees, and is now a member of The Mint Museum’s advisory board. In addition, his wife Peggy McBryde served as the publicity committee chair for the 1997 Antiques Show and co-chaired the Antiques Show committee in 1998, and has held multiple committee leadership roles with the Mint Museum Auxiliary.

The Mint Museum’s planned giving program was originally named for Mary Myers Dwelle, who in 1933 began to raise funds to relocate the Charlotte Mint building to house the first art museum in North Carolina. Her pioneering efforts inspired the establishment of the Dwelle Society, now the Dwelle-McBryde Society, which recognizes the generosity of donors who make a planned gift or bequest to The Mint Museum.

“This renaming and the generous gifts in honor of Neill McBryde have invigorated our planned giving program at the Mint,” says Todd A. Herman, PhD, president and CEO at The Mint Museum. “We are optimistic that Neill’s stature in the community and commitment to lifelong giving will serve as a catalyst for growth.”

Moore & Van Allen has been a longtime corporate supporter of The Mint Museum and has sponsored many exhibitions, ranging from Portals to the Past: British Ceramics 1675-1825 (currently on view at Mint Museum Randolph) to The Glamour & Romance of Oscar de la Renta in 2018, and most recently Classic Black: The Basalt Sculpture of Wedgwood and His Contemporaries in 2020.

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The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations — Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts — the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Moore & Van Allen

Moore & Van Allen PLLC (www.mvalaw.com), founded in 1950, has more than 330 attorneys serving clients in over 60 areas of focus. The attorneys at Moore & Van Allen provide sophisticated legal services within nationally recognized Litigation, Corporate, Financial Services, Intellectual Property, Bankruptcy, Wealth, Trust and Estate, and Commercial Real Estate law practices for international banks and financial services companies, domestic and global manufacturers, retailers, individuals, and healthcare and technology organizations. The firm is ranked in the prestigious “Am Law 200” list, and U.S. News & World Report and Best Lawyers have recognized Moore & Van Allen in their 2021 “Best Law Firms” rankings, both regionally and nationally.

Contact: Caroline Portillo, Senior Director of Marketing and Communications at The Mint Museum
caroline.portillo@mintmuseum.org | 704.488.6874 (c)

Michele Huggins, Communications and Media Relations Project Manager at The Mint Museum
michele.huggins@mintmuseum.org | 704.564.0826 (c)

The Mint Museum organizes the first-ever retrospective of works by Impressionist painter John Leslie Breck in its exhibition “John Leslie Breck: American Impressionist”

The Mint Museum organizes the first-ever retrospective of works by Impressionist painter John Leslie Breck in its exhibition John Leslie Breck: American Impressionist

 

FOR IMMEDIATE RELEASE Charlotte, North Carolina (July 16, 2021) — The Mint Museum is pleased to announce the premiere of John Leslie Breck: American Impressionist, an exhibition showcasing more than 70 works by one of the first American artists to introduce Impressionism to the United States. The exhibition — the first ever organized by a museum to be dedicated to works by John Leslie Breck — will run from September 18, 2021 through January 2, 2022 at The Mint Museum’s uptown Charlotte location (known as Mint Museum Uptown).

Drawn from public and private collections, as well as the acclaimed Terra Foundation collection of American art, many of the works have not been on public view in more than a century. In addition to Breck’s landscape-inspired works, the exhibition highlights his exploration of new styles and approaches to painting in the years before his early death at the age of 38. More than 10 related paintings by Breck’s French and American Impressionist colleagues, including Theodore Robinson, Willard Metcalf, and Lila Cabot Perry, are also featured in the exhibition.

John Leslie Breck (American, 1860-99). "Suzanne Hoschedé-Monet Sewing," 1888, oil on canvas. Gift of the Mint Museum Auxiliary and courtesy Heather James Fine Art. 2016.25

The exhibition, presented by Bank of America, is inspired by The Mint Museum’s acquisition of Breck’s canvas Suzanne Hoschedé-Monet Sewing. “I have been an admirer of John Leslie Breck’s beautiful, trailblazing paintings ever since my first encounter with his work at the Virginia Museum of Fine Arts in the late 1990s,” says Jonathan Stuhlman, senior curator of American art at The Mint Museum. “When we had the opportunity to acquire one for The Mint Museum in 2016, it was the perfect catalyst for the museum to begin organizing this exhibition — the first retrospective of his work since his death in 1899.”

“The importance of John Leslie Breck’s works and his introduction of French Impressionism to an American audience has largely gone unrecognized but is an important part of American art history,” says Todd A. Herman, PhD, president and CEO of The Mint Museum. “Through dedicated research and work by the staff at the Mint, Breck and his beautiful paintings will be brought back into the conversation of American art.”

John Leslie Breck (American, 1860–99). The Bay at Venice, 1897, oil on canvas, 32 x 45 inches. Private Collection

In addition, a 208-page, fully illustrated exhibition catalogue will be available when the exhibition opens in September. Stuhlman collaborated with leading Breck scholars Royal Leith and Jeffrey Brown to bring together Breck’s finest paintings, as well as to create the first ever monograph produced about the artist, which also includes contributions from Erica Hirshler, PhD, and Katherine Bourguignon, PhD. After debuting at The Mint Museum, John Leslie Breck: American Impressionist will travel to the Dixon Gallery and Gardens in Memphis, Tennessee in the winter of 2022 and the Figge Art Museum in Davenport, Iowa in the spring of 2022.

“Bank of America believes the arts are fundamental to a culturally healthy community,” shared President of Bank of America Charlotte Kieth Cockrell. “We are pleased to support The Mint Museum in hosting the Breck exhibit to showcase his talent, encourage appreciation of Impressionism and inspire future artists.”

John Leslie Breck: American Impressionist is generously presented by Bank of America, with additional support provided by The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts and the Mint Museum Auxiliary. Individual support provided by Charlie and Susan Murray in honor of Welborn and Patty Alexander, and Mary and Dick Payne.

Ticket Information

The Mint Museum exhibition is free for members and children ages 4 and younger; $15 for adults; $10 for seniors ages 65 and older; $10 for college students with ID; and $6 for youth ages 5–17. Frontline workers and their immediate families also receive complimentary admission through December 31, 2021.

The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations — Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts — the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Bank of America

Bank of America is one of the world’s leading financial institutions, serving individual consumers, small and middle-market businesses and large corporations with a full range of banking, investing, asset management and other financial and risk management products and services. The company provides unmatched convenience in the United States, serving approximately 66 million consumer and small business clients with approximately 4,300 retail financial centers, including approximately 2,700 lending centers, 2,600 financial centers with a Consumer Investment Financial Solutions Advisor and approximately 2,400 business centers; approximately 17,000 ATMs; and award-winning digital banking with approximately 40 million active users, including approximately 31 million mobile users. Bank of America is a global leader in wealth management, corporate and investment banking and trading across a broad range of asset classes, serving corporations, governments, institutions and individuals around the world. Bank of America offers industry leading support to approximately 3 million small business households through a suite of innovative, easy-to-use online products and services. The company serves clients through operations across the United States, its territories and approximately 35 countries. Bank of America Corporation stock (NYSE: BAC) is listed on the New York Stock Exchange.

Contact: Caroline Portillo, Senior Director of Marketing & Communications at The Mint Museum
caroline.portillo@mintmuseum.org | 704.488.6874 (c)

Michele Huggins, Communications and Media Relations Project Manager at The Mint Museum
michele.huggins@mintmuseum.org | 704.564.0826 (c)

The Mint Museum to Display Masterpiece by Mary Cassatt in American Galleries

The Mint Museum to Display Masterpiece by Mary Cassatt in American Galleries

 

Charlotte, North Carolina (June 10, 2021) — The Mint Museum is delighted to announce that it will display in its American galleries Baby Charles Looking Over His Mother’s Shoulder (No. 3), a stunning work by iconic American Impressionist painter Mary Cassatt, as a long-term loan from the Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation.

The Foundation purchased the piece from The Brooklyn Museum, as well as Thomas Cole’s The Arch of Nero (deaccessioned by the Newark Museum of Art), on May 19 at Sotheby’s, and immediately offered to lend the Cassatt to The Mint Museum and the Cole to the Philadelphia Museum of Art.

Mary Cassatt. United States, 1842-1926. Baby Charles Looking Over His Mother’s Shoulder (No. 3), 1900, oil on canvas, 26 ¾ x 20 ¾ inches. Collection of the Thomas H. and Diane DeMell Jacobsen PhD Foundation

Cassatt was the only American artist to exhibit with the French Impressionists, and Baby Charles Looking Over His Mother’s Shoulder (No. 3) is a classic example of her mature work. An intimate   portrait of a mother and her child — whose unique  composition,  with  the  mother’s  back  to  the viewer — allowed Cassatt to demonstrate her strength as a colorist as well as a creator of innovative compositions. The Cassatt will go on view in July at The Mint Museum’s uptown Charlotte location, known as Mint Museum Uptown, as part of annual rotations in the American art galleries.

“We have had the pleasure of working with Dr. Jacobsen and her Foundation for a number of years,” says Jonathan Stuhlman, PhD, the museum’s senior curator of American art. “Dr. Jacobsen is a champion of American art, striving to acquire the finest paintings and sculptures by a diverse range of artists who worked from this country’s earliest years to the present day. The Mint does not currently own a painting by Cassatt, and the loan of this fabulous painting will allow us to tell more fully the story of American Impressionism, as well as to highlight the important contributions of female artists  to the story of American art.”

The Thomas H. and  Diane DeMell Jacobsen Ph.D.  Foundation’s  close relationship with The  Mint Museum is also evident its participation in the museum’s upcoming exhibition John Leslie Breck: American Impressionist, a retrospective featuring 70 of Breck’s finest works, which will be on view from September 18, 2021 to January 2, 2022 at Mint Museum Uptown. In 1887, Breck was one of the founders  of the American art colony at Giverny and was among the earliest American artists to embrace the Impressionist style. He was also one of the first to exhibit his Impressionist paintings in America and helped to popularize the style during his years working in the Boston area in the 1890s. The exhibition, inspired by The Mint Museum’s 2016 acquisition of Breck’s canvas Suzanne Hoschedé-Monet Sewing, features a number of works that haven’t been on public view in more than a century.

“We are excited to be able to share this exquisite painting by Mary Cassatt with our community,” says Todd A. Herman, PhD, president and CEO of The Mint Museum. “Dr. Jacobsen and her Foundation believe great art should be shared and have enriched our American galleries by lending a number of unforgettable works. Baby Charles Looking Over His Mother’s Shoulder (No. 3) will become a must-see piece in our galleries.”

The planned donation of the Jacobsen Foundation’s collection The Art of Seating: 200 Years of American Design will also be displayed at The Mint Museum in the near future, after it concludes its tour of 28 institutions across the country. And alongside the Dixon Gallery and Gardens in Memphis, The Mint Museum is co-organizing an exhibition of over 100 highlights from the Foundation’s collection of American art. After its debut in Charlotte in fall 2022, the exhibition will travel to four additional venues and be accompanied by a fully illustrated catalogue of the collection.

The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations — Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts — the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Contact:

Caroline Portillo, Senior Director of Marketing & Communications at The Mint Museum
caroline.portillo@mintmuseum.org | 704.488.6874 (c)

Michele Huggins, Communications and Media Relations Project Manager at The Mint Museum
michele.huggins@mintmuseum.org | 704.564.0826 (c)

The Mint Museum to showcase work of 25 local artists, three artist collectives in upcoming exhibition It Takes a Village

Styled word mark for It Takes a Village: Charlotte Artist Collectives

The Mint Museum to showcase work of 25 local artists, three artist collectives in upcoming exhibition It Takes a Village

 

Charlotte, North Carolina (DATE) — In celebration of the vibrant, grassroots art happening throughout Charlotte, The Mint Museum has organized It Takes a Village: Charlotte’s Artist Collectives, an exhibition presenting works of art from three of the city’s innovative artist collectives: Goodyear Arts, BlkMrktClt, and Brand the Moth. The exhibition runs June 12- September 12 at Mint Museum Randolph.

More than 25 artists from the three collectives will have works of art on display in the Jones-Dwelle-Belk galleries at Mint Museum Randolph. It Takes a Village is curated by Jen Sudul Edwards, PhD, chief curator and curator of contemporary art at The Mint Museum, and the works are by artists of diverse backgrounds, many born in countries outside the United States, using materials from oil paint to woven fabric, collage to ceramics.

"Blocked" by artist Will Jenkins

“Charlotte’s legacy of artist collectives is exceptional,” says Sudul Edwards. “We have an extraordinary number of creatives coalescing into communities that celebrate local artists’ works on a larger, louder platform, and that also work together to form this highly productive, engaging creative machine.”

Members of Brand the Moth and BlkMrktClt were pivotal in orchestrating Charlotte's Black Lives Matter mural on South Tryon Street in 2020.

It Takes a Village continues to support the Mint’s commitment to promoting artists of color. Many of the artists included in the exhibition had a part in painting the Black Lives Matter street mural in uptown Charlotte in summer 2020. Some, including artists Arko, Owl, and de’Angelo Dia, have been featured in the Mint’s Constellation CLT series, which showcases works by local artists in Mint Museum Uptown’s public spaces. And many of the It Takes a Village artists were also involved with LOCAL/STREET, a three-day pop-up exhibition organized by BlkMrktClt co-founder Carla Aaron-Lopez in March at Mint Museum Randolph featuring the work of more than 40 local artists of color and street artists who are helping define the city’s visual identity.

16th Street Bridge Part 1. Courtesy of Brand the Moth.
Andrea Vail, Herringbone Shag (evergreen and sassafrass). Image by Brandon Scott

“As we emerge from COVID isolation, it’s important to celebrate and support the art and artists that are part of our community,” says Todd A. Herman, PhD, president and CEO of The Mint Museum. “And what better way than to use gallery spaces to highlight the creative energy emanating from artists in some of Charlotte’s art collectives.”

About the collectives

Goodyear Arts is an artist-led residency program that supports visual, performing, and literary artists annually by providing time, space, money, and community in which to create. Alumni have formed a collective and continue using free studio space and volunteering their time to support the organization. goodyeararts.com

BlkMrktClt was created to provide a safe creative environment for artists of color. The organization, located at Camp North End, focuses on developing emerging artists and creating a more diverse and robust community. blkmrktclt.com

Brand the Moth uses public art programs and projects as a vehicle to spark creativity and connection, provide a trusting space for artists to grow, offer educational opportunities for professionals, and produce projects which reflect and empower the community around them.  brandthemoth.com

The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations — Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts — the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Contact:

Caroline Portillo, Senior Director of Marketing & Communications at The Mint Museum
caroline.portillo@mintmuseum.org | 704.488.6874 (c)

Michele Huggins, Communications and Media Relations Project Manager at The Mint Museum
michele.huggins@mintmuseum.org | 704.564.0826 (c)

Funding for this exhibition is provided by ASC and NCAC. A special thank you to our media sponsor Charlotte is Creative.

Silent Streets: Art in the Time of Pandemic Press Release

Four transit workers in personal protective equipment clean a subway in the midst of the COVID-19 pandemic.
Emin Özmen. Istanbul, Turkey, 2020, digital image. Courtesy of Magnum Photos Agency

The Mint Museum’s upcoming Silent Streets: Art in the Time of Pandemic puts spotlight on works created in isolation by local, regional and international artists

Charlotte, North Carolina (March 26, 2021) — When the city streets fell quiet in March 2020 due to Covid-19, followed by social justice reckoning across the country, people and communities were changed. The Mint Museum’s newest exhibition, Silent Streets: Art in the Time of Pandemic, opening April 17 at Mint Museum Uptown, showcases thought-provoking works of art by regional, national, and international artists. From collage and comic strips to abstract painting, video and photography, the exhibition installations illuminate discord while also providing solace and insight in challenging times.

At the core of the show, which is presented by Fifth Third Bank, are commissioned pieces by North Carolina artists Amy Bagwell of Charlotte, Stacy Lynn Waddell of Durham, and Antoine Williams of Greensboro. Each artist created works during isolation that reflect how the pandemic and events of 2020 affected their worlds.

“In March 2020, we found ourselves looking at a depleted exhibition schedule, between pandemic-related shipping delays and budget cuts,” says Jen Sudul Edwards, PhD, chief curator and curator of contemporary art at the Mint. “The Mint’s President and CEO Todd Herman said, ‘Why don’t we reallocate those remaining spaces and funds directly to artists?’ I selected these three artists, confident we could do remote studio visits and it would still be a successful collaboration. By April, artists around the world were creating profoundly powerful and poignant work responding to all that was going on, and I realized the show could go beyond three North Carolina voices and become an international chorus.”

Bagwell, a poet and mixed-media artist, who has more than 20 public murals throughout Charlotte, produced three large-scale collages inspired by poetry she wrote during the pandemic. Mixed-media work by Williams addresses social injustice, systemic racism, and the objectification of Black labor and culture. And Waddell, working alongside a master quilter, used textiles to create flags that explore themes of representation and inclusion in symbols of power.

Also included in the exhibition is As the Boundary Pulls Us Apart, a short film by Charlotte-based artists Matthew Steele and Ben Gellar. The digital project enabled the two artists to collaborate and volley ideas from separate spaces, ultimately creating a piece that embodies a spirit of unity while being apart.

A Comic strip titled "La Cucaracha's safety guide to combat the coronavirus." The first block says "wash your hands" and depicts two kids washing their hands. The second says "Avoid crowded places" and shows a man going past a coffee shop. The final block says "wear a mask" and shows a traditional Lucha libre mask.
Lalo Alcaraz. La Cucaracha, April 2020, comic strip. Courtesy of the artist

Additional installations include Diary of a Pandemic and Pandemic Comics. Through a collaboration between Magnum Photos and National Geographic, Diary of a Pandemic showcases images taken by photojournalists around the world stranded during the pandemic. Pandemic Comics highlights syndicated comics—La Cucaracha, Liō, Curtis, Pearls Before Swine, and Tank McNamara—that suddenly changed course, as long-planned strips were replaced with ones that related directly to the pandemic.

The one work that predates the pandemic—Gregory Crewdson’s Funerary Back Lot (2018-19) from his An Eclipse of Moths Series—eerily relays an aura of isolation and quiet destitution that feels consistent with the pandemic times, reminding us that these are human states, not temporary or conditional ones.

“Artists are often the first to respond and react to societal forces and create work that manages to encapsulate abstract concepts of emotion,” says Todd A. Herman, PhD, president and CEO at The Mint Museum. “I am excited to see the result of their efforts and to celebrate the necessary role that creatives play in healing communities.”

The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations — Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts — the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Fifth Third Bank

Fifth Third Bancorp is a diversified financial services company headquartered in Cincinnati, Ohio and the indirect parent company of Fifth Third Bank, National Association, a federally chartered institution. As of September 30, 2020, Fifth Third had $202 billion in assets and operated 1,122 full-service banking centers and 2,414 ATMs with Fifth Third branding in Ohio, Kentucky, Indiana, Michigan, Illinois, Florida, Tennessee, West Virginia, Georgia, North Carolina and South Carolina. In total, Fifth Third provides its customers with access to approximately 52,000 fee-free ATMs across the United States. Fifth Third operates four main businesses: Commercial Banking, Branch Banking, Consumer Lending and Wealth & Asset Management. Fifth Third is among the largest money managers in the Midwest and, as of September 30, 2020, had $422 billion in assets under care, of which it managed $53 billion for individuals, corporations and not-for-profit organizations through its Trust and Registered Investment Advisory businesses. Investor information and press releases can be viewed at www.53.com. Fifth Third’s common stock is traded on the Nasdaq® Global Select Market under the symbol “FITB.” Fifth Third Bank was established in 1858. Deposit and Credit products are offered by Fifth Third Bank. Member FDIC.

Contact:

Caroline Portillo, Senior Director of Marketing & Communications at The Mint Museum
caroline.portillo@mintmuseum.org | 704.488.6874 (c)

Michele Huggins, Communications and Media Relations Project Manager at The Mint Museum
michele.huggins@mintmuseum.org | 704.564.0826 (c)

Download the PDF of this press release here.

Exterior shot of Mint Museum Randolph

The Mint Museum re-opens to the public Friday, Feb. 5.

The Mint Museum re-opens to the public Friday, Feb. 5.

 

Charlotte, N.C. (February 1, 2021) — After being closed for three weeks to help curb the spread of Covid 19, both locations of The Mint Museum and its stores will re-open to the public on Friday, Feb. 5 with strict safety protocols in place.

All visitors are required to wear masks, and the museum will offer free masks for anyone who’d like to double up on coverage, per new CDC suggestions. Timed ticketing remains in place to ensure the museum stays within occupancy guidelines, and social-distancing signage is in place throughout the galleries.

“We decided to re-open for the benefit of people who adhere to our guidelines and need a safe place to experience art,” says Todd A. Herman, PhD, president and CEO of The Mint Museum. “We feel the museum has implemented protocols that create safety measures beyond what one finds in many businesses and public spaces.”

Additionally, the city of Charlotte — which owns both Mint buildings — has partnered with locally based Global Plasma Solutions to outfit the Mint with Needlepoint Bipolar Ionization to remove indoor air pollutants and help neutralize Covid-19. The air-purification system removes up to 99 percent of certain airborne viruses, mold, and bacteria, helping promote the health of employees and the visiting public. All precautionary measures and details about museum visitation are viewable on the Mint’s Know Before You Go site.

As a thank you to essential and frontline workers, The Mint Museum is offering complimentary admission to health care providers, doctors, nurses, pharmacists, teachers, custodial staff, transit workers, grocery store and restaurant employees, and their immediate family members through June 30, 2021.

Both locations of the Mint will be free to the public on Saturday and Sunday, Feb. 27-28 for the closing of In Vivid Color: Pushing the Boundaries of Perception in Contemporary Art and the opening of W|ALLS: Defend, Divide, and the Divine.

Those interested in viewing the Mint from the comfort of their home can still get their art fix on The Mint Museum from Home site, presented by Chase, which offers curator-led virtual gallery tours, create-at-home activities, community conversations and artist Q&As. The Mint’s first online exhibition, Expanding the Pantheon: Women R Beautiful is also available, featuring 26 striking photographs of New York City-based photographer Ruben Natal-San Miguel, who aims to introduce a new range of beauty for our consideration.

The Mint Museum Store also has a newly launched e-commerce site (store.mintmuseum.org), with shipping, curbside pick-up and free gift-wrap options available.

The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations — Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts —the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Contact:

Caroline Portillo, Senior Director of Marketing & Communications at The Mint Museum
caroline.portillo@mintmuseum.org | 704.488.6874 (c)

Michele Huggins, Communications and Media Relations Project Manager at The Mint Museum
michele.huggins@mintmuseum.org | 704.564.0826 (c)

 

Download the PDf of this press release here. 

W|ALLS: Defend, Divide, and the Divine explores the use of walls throughout centuries, across civilizations

Ami Vitale. Ripple Effect, 2009. Photographer @amivitale

W|ALLS: Defend, Divide, and the Divine explores the use of walls throughout centuries, across civilizations

Mint Museum Uptown’s 10-year anniversary celebration continues with opening of new photography exhibition

 

Charlotte, N.C. (February 1, 2021)— As a continued celebration of Mint Museum Uptown’s 10th anniversary, W|ALLS: Defend, Divide, and the Divine examines the historic use and artistic treatment of barriers — whether made of stone, sand, steel, or wire — through photography. The exhibition, presented by PNC Bank, is scheduled to open Feb. 24 in Mint Museum Uptown’s Level 4 Brand Gallery.

Through more than 130 photographs taken by 67 photographers across five continents, W|ALLS explores architectural aspects of these barriers, as well as the stories of people’s lives touched by the boundaries.

The exhibition is divided into six sections — delineation, defense, deterrent, the divine, decoration, and the invisible — with each section anchored by a central photo essay. From the Berlin Wall’s fall to Jerusalem’s Western Wall, as well as barriers built in India, Nigeria, Uzbekistan, Northern Ireland, and along the United States’ southern border, W|ALLS includes images that span five continents from photographers of all stripes: documentarians, photojournalists, artists, protestors, commercial photographers, explorers, and even a Tibetan Buddhist monk.

Carol Guzy. Albanian refugee camp, March 3, 1999. © 1999, Carol Guzy/The Washington Post

Curated by Jen Sudul Edwards, PhD, chief curator and curator of contemporary art at The Mint Museum, W|ALLS includes works by nationally recognized artists Carol Guzy, Moises Saman, SHAN Wallace, Banksy, JR, John Moore, and Tanya Aguiñiga.

Charlotte-based artists featured in the exhibition include: Will Jenkins, who photographed Dammit Wesley’s Strange Fruit mural in uptown Charlotte; UncleJut who photographed Darion Fleming’s Pure’ll Gold mural that made The New York Times cover page in March 2020; and Linda Foard Roberts, a recent Guggenheim Fellowship recipient.

“When Katie Hollander and I began working on the W|ALLS exhibition in 2018, we could not have imagined a more divided world, and yet, even though the COVID-19 pandemic has united us in a common anxiety, here we are, even more segmented and antagonistic,” says Sudul Edwards. “The images in this exhibition remind us of our common humanity and why we are stronger together than apart, no matter what our race, ethnicity, or political ideology.”

In concert with the photographic exhibition, artists Candy Chang and James Reeves created Light the Barricades, interactive installations that appeared in three sites throughout Los Angeles before relocating to the plaza in front of the Annenberg Space for Photography. Light the Barricades was inspired by the I Ching, one of the oldest Chinese texts. Nearly 30 feet in length and 8 feet high, each installation features a word that represents an emotional barrier and offers an opportunity for contemplation. One of these walls will be on view in front of Mint Museum Uptown in conjunction with the photography exhibition.

“Walls make up a significant portion of our surroundings, especially in urban settings, and these photographers present us with new ways of thinking about how we are affected by these structures,” says Todd A. Herman, PhD, president and CEO of The Mint Museum. “It is impossible to walk through this exhibition and not have it inspire a conversation.”

This is the first exhibition at The Mint Museum with Spanish translations throughout. All object labels include a QR code to scan for a Spanish translation, and there are printed translations on introduction panels.

“With this exhibition, The Mint Museum continues to deliver on its unique ability to engage our community in timely, thought-provoking conversation and reflection,” said Weston Andress, PNC regional president for Western Carolinas. “The themes addressed in the photography hold relevance for all, and PNC is proud to help bring this compelling and ambitious exhibition to Charlotte.”

W|ALLS was originally scheduled to open in May 2020. Shipping crates containing much of the show — gifted to the Museum by Annenberg Space for Photography, which was the originator of the exhibit — were delayed due to COVID-19.

W|ALLS is made possible by Wallis Annenberg and the Annenberg Space for Photography, Los Angeles, Calif., and is generously presented by PNC Bank, and supporting sponsors The Mint Museum Auxiliary, Laura and Mike Grace, Leigh-Ann and Martin Sprock, Betsy Rosen and Liam Stokes, and Deidre and Clay Grubb. QC Exclusive is the media sponsor.

The Mint Museum

The Mint Museum Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations — Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts — the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.


PNC Bank

PNC Bank, National Association, is a member of The PNC Financial Services Group, Inc. (NYSE: PNC). PNC is one of the largest diversified financial services institutions in the United States, organized around its customers and communities for strong relationships and local delivery of retail and business banking including a full range of lending products; specialized services for corporations and government entities, including corporate banking, real estate finance and asset-based lending; wealth management and asset management. For information about PNC, visit www.pnc.com.


The Annenberg Foundation

The Annenberg Foundation is a family foundation that provides funding and support to nonprofit organizations in the United States and globally. Since 1989, it has generously funded programs in education and youth development; arts, culture and humanities; civic and community life; health and
human services; and animal services and the environment.

Contact:

Caroline Portillo, Senior Director of Marketing & Communications at The Mint Museum
caroline.portillo@mintmuseum.org | 704.488.6874 (c)

Michele Huggins, Communications and Media Relations Project Manager at The Mint Museum
michele.huggins@mintmuseum.org | 704.564.0826 (c)

 

Download the PDF Media Kit for W|ALLS here.

Work by Gemma O’Brien

The Mint Museum, Bechtler Museum of Modern Art, and Harvey B. Gantt Center for African-American Arts+Culture recognize frontline workers and their families by offering free admission

The facade of Mint Museum Uptown

The Mint Museum, Bechtler Museum of Modern Art, and Harvey B. Gantt Center for African-American Arts+Culture recognize frontline workers and their families by offering free admission

Charlotte, NC — As a thank you to essential and frontline workers during the pandemic, The Mint Museum, Bechtler Museum of Modern Art, and the Harvey B. Gantt Center for African-American Arts+Culture are offering complimentary admission to health care providers, doctors, nurses, pharmacists, teachers, custodial staff, transit workers, grocery store and restaurant employees, and their immediate family members through Dec. 31, 2020.

“Throughout the pandemic, frontline workers have helped to sustain health and well-being for our community. We want to recognize these efforts by offering an opportunity for these workers and their families to come and enjoy exploring art at our museums free of charge,” says Todd A. Herman, PhD, president and CEO at The Mint Museum.

Each museum has safety and capacity protocols in place to keep within COVID-19 guidelines. Visitors are encouraged to reserve tickets online in advance of their visit to support a low-touch environment. Tickets may be reserved on each of the museums’ websites. Walk-in visitors are welcome if space permits at that time. Guests are required to wear masks at each museum.  

“The Bechtler enthusiastically joins the Mint and the Gantt in supporting our frontline essential workers in the Charlotte community,” says Todd D. Smith, executive director at the Bechtler Museum of Modern Art. “We hope this move allows more people to enjoy the restorative powers of the visual arts and museums in this time of crisis.”

Work by Gemma O’Brien
Work by Gemma O’Brien

The Mint Museum also is recognizing frontline and essential workers with the digital installation Messages for the City displayed on the Wells Fargo screen along Levine Avenue of the Arts and on the Legacy Union screen at 620 S. Tryon St. Artist-made images and animations recognize and celebrate the commitment of these workers during the COVID pandemic. The images play continuously, as part of the general video displays on both screens. The project originated with Times Squares Arts in partnership with For Freedoms, Poster House, and PRINT magazine and was first shown in Times Square last spring.  

“We owe a debt of gratitude to our frontline workers for their selfless dedication during the pandemic. Being able to show our appreciation collectively as a museum community is the least that we can do in honor of their service,” says David Taylor, president and CEO of Harvey B. Gantt Center for African-American Arts+Culture.

For more information about safety protocols at each museum and hours, visit each museum website.

About The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations—Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts on South Tryon Street—the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Contact: Michele Huggins, media relations and communications project manager
michele.huggins@mintmuseum.org, 704.564.0826

In Vivid Color: Pushing the Boundaries of Perception in Contemporary Art investigates the power of color on our everyday perceptions and shared experiences 

Jennifer Steinkamp, Daisy Bell, 2008. Video installation. Dimensions variable. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London. Photo by Robert Wedemeyer.

In Vivid Color: Pushing the Boundaries of Perception in Contemporary Art investigates the power of color on our everyday perceptions and shared experiences 

 

Charlotte, NC – Colors are linked to memories, experiences, and our environments. To celebrate the world of color and its effects on our perceived realities, The Mint Museum proudly presents In Vivid Color: Pushing the Boundaries of Perception in Contemporary Art. The exhibition is on view Oct. 16 at Mint Museum Uptown and features four innovative contemporary artists—Gisela Colon, Spencer Finch, Jennifer Steinkamp, and Summer Wheat. Installations in the exhibition are experiential by design, allowing each viewer to feel and engage with the works of art based on individual perceptions of color.

“We are so pleased to be able to share these powerful, engaging works of art with our visitors,” says Jonathan Stuhlman, PhD, senior curator of American art at The Mint Museum. “Not only do they demonstrate the wide range of innovative ways in which artists use color, but they also inspire us to reflect upon the many ways in which color infiltrates our memories, functions symbolically in our everyday lives, creates shared experiences, and sparks conversations and connections.”

Summer Wheat (American, 1977–). Foragers, 2020, colored vinyl on mylar, 805.5 x 738.5 inches. T0263.1a-qqqq. Photo credit: Chris Edwards

Visitors are first greeted by Summer Wheat’s monumental installation Foragers in the Robert Haywood Morrison atrium. The four story, 3,720-square-foot installation fills 96 window panels with vibrant hand-cut layered vinyl gel panels that combine to tell the story of women as makers and providers. The presentation bathes the space in jewel-tone colors and hues that shift with natural light, enveloping the visitor. Foragers was commissioned for the Mint and generously funded by Wells Fargo Foundation Women Artists Fund.

Located on Level 3 in the Gorelick Gallery, immersive installations Daisy Bell and Orbit 12 by pioneering digital artist Jennifer Steinkamp explore the symbolic power of color through video technology. Using repeated floral patterns and hyper-saturated colors, Daisy Bell, which is part of Bank of America’s corporate art collection, challenges viewers to rethink their relationship with the natural world. Orbit 12, a gift to the museum from the Mint Museum Auxiliary, guides viewers through four seasons in which leaves, branches, and blossoms constantly morph through cycles of growth, abundance, decay, and renewal.

Spencer Finch (American, 1962–). Sunset, South Texas (detail), 6/1/03, 2003, fluorescent lights, filters. Courtesy of the artist.

At nearly 40-feet wide, Spencer Finch’s Sunset (South Texas, 6/21/03), also on loan from Bank of America, recreates a sunset on the Texas plains with green, pink, blue, yellow and orange filters fitted over fluorescent lamps. The horizontal stretch of the piece mimics the vastness of the plains and allows viewers to settle into the distance of space and color. Gisela Colon’s Hyper Ellipsoid pushes the boundaries of materials and sculptural form. Her objects, self-described as organic minimalism, use suspended pigments in acrylic to create forms that seem to shape-shift with light and motion.

The exhibition also includes 11 paintings and works on paper by artists Jennifer Bartlett, Annette Cone-Skelton, Peter Halley, Juan Logan, Harvey Quaytman, T.J. Reddy, Brian Rutenberg, Julian Stanczak, and Donald Sultan from the Mint’s permanent collection. In addition, local artist Juan Logan has loaned a painting from his Elegy series. Visitors can also play with color and light in the color shadow experience just inside the gallery.

In Vivid Color is presented by Wells Fargo Private Bank, with additional support from the Mint Museum Auxiliary, Bank of America Collection, and the GAVLAK Gallery. In Vivid Color also benefits from a media partnership with Peachy the Magazine.

About The Mint Museum

Established in 1936 as North Carolina’s first art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations—Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown at Levine Center for the Arts on South Tryon Street—the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

Contact: Michele Huggins, Communications and Media Relations Project Manager michele.huggins@mintmuseum.org, 704.564.0826