Argentinian glass artist Silvia Levenson to speak on her craft, domestic violence

Photo by Marco Del Comune

Charlotte, N.C. (March 18, 2019) Argentinian glass artist Silvia Levenson will be at Mint Museum Uptown 2-4 p.m. Saturday, March 23 to discuss her career and how the theme of domestic violence plays out in her work—particularly in her sculpture Until Death Do Us Part, recently acquired by The Mint Museum.

Levenson’s work is known for starting conversations about difficult topics, such as violence against women inside the home. Her show-stopping Until Death Do Us Part—installed in February at Mint Museum Uptown—is anchored by a 330-pound hollow glass cake, topped by a plaster hand grenade.

Behind the translucent, three-tiered cake, on a striking red wall, are the words “until death do us part,” formed from metal wire. It’s a metaphor for the fragility of relationships and the domestic violence many women worldwide face every day.

“The family is often equated with sanctuary…but the evidence shows that it is also a place that imperils lives,” says Levenson. “One-third of murdered women in the world are killed by a husband or partner.”

Levenson was born in Buenos Aires, Argentina but emigrated to Italy in 1981 with her husband and young children to escape the oppressive regime of military dictator Jorge Rafael Videla. During his rule from 1976 to 1981, members of Levenson’s family “disappeared.” Her experience over that intense and frightening time continues to inform her work. She currently divides her time between Buenos Aires and Lesa, Italy.

The event is open to the public and included in the price of museum admission. Attendees will have the opportunity to ask Levenson questions and meet with her after the discussion while enjoying light refreshments, including cookies, coffee, and tea. Mint Museum members get in free. Price for non-members is just museum admission: $15 for adults, $10 for college students and seniors (65+), $6 for children ages 5-17, and free for children ages 4 and under.

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Questions? Contact Caroline Portillo, Director of Marketing & Communications at The Mint Museum: caroline.portillo@mintmuseum.org, 704-337-2009.

Silvia Levenson (Argentinian, 1957–). Until Death Do Us Part, 2013, kiln-formed glass, metal structure, plaster, wire. Museum Purchase: Funds provided by the Mint Museum of Craft + Design Collections Board and the Charles W. Beam Accessions Endowment. 2018.64

Potters Market at The Mint Museum to return in 2020

Potters Market at The Mint Museum to return in 2020

Charlotte, N.C. (March 8, 2019)  After much thought and deliberation, the Delhom Service League of the Mint Museum has decided to postpone its signature event, the Potters Market, until 2020, when the festival will be reimagined to be bigger and more robust than ever.

“We want to re-do it, reinvent it,” says Phil Sciabarrasi, president of the Delhom Service League, the ceramics affiliate of The Mint Museum, which promotes ceramic arts and education. “We want to spend time revisiting all aspects of the Potters Market to help us produce an experience that that will continue to grow and highlight North Carolina ceramics, while also delighting potters and attendees.”

One of the major changes in store: Rather than continue as an invitational, the 2020 Potters Market will be a juried show, a move that will bring even more diversity to the beloved affair.

The event will also coincide with the 10th anniversary of the opening of Mint Museum Uptown. “This will be a very celebratory year for the museum, and our intention is to make the 2020 Potters Market a large part of that celebration,” says Sciabarrasi.

Started in 2004, the annual Potters Market is beloved by ceramics collectors and pottery fans alike for the opportunity it provides to get to know dozens of the state’s best potters and shop the latest works in the rich tradition of North Carolina pottery. Wares range from mugs, teapots and jars to oversized pots, contemporary art pottery and sculptures.

Funds raised by the festival help support acquisitions to The Mint Museum’s ceramics collection and help to promote interest in ceramic arts. Delhom Service League hosts many public programs and hands on experiences throughout the year using these funds, relating to all types of ceramics, from ancient to contemporary. As the group works to reimagine the Potters Market, they hope enthusiasts will continue to engage with ceramics and clay by taking advantage of these programs.

“Delhom Service League is thankful for the corporate sponsors, individual sponsors, and attendees who have been so supportive over the years, and for the exceptional potters who have brought their best work to sell,” says Sciabarrasi. “Potters Market has grown into one of the most important ceramics event in the state, and we want to return in 2020 with an enhanced experience worthy of their continued support in our exciting new chapter.”

For questions, email delhomserviceleague@gmail.com.

About Delhom Service League

The Delhom Service League was founded by M. Mellany Delhom as an affiliate organization of The Mint Museum in 1975. The group—credited with boosting interest and funding for The Mint Museum’s vast ceramics collection—is comprised of a diverse group of artists, teachers, corporate leaders, writers, librarians, doctors, and collectors. Over the last 40 years the focus of the group has expanded, but the mission of the group is the same: to promote ceramic arts and education. Today the league presents nationally and internationally known speakers, and supports the Delhom-Gambrell Reference Library for the decorative arts. It has funded the acquisition of numerous objects for the Mint’s ceramics collection.

Find Delhom Service League on FacebookInstagram, and Twitter. See the Delhom Service League rack brochure with calendar.

Top Five Reasons to Take an Art of Reading Public Tour at Mint Museum Randolph

Top Five Reasons to Take an Art of Reading Public Tour at Mint Museum Randolph

1. Meet Fellow Bibliophiles.
The only thing better than reading a book you love is the opportunity to discuss it with others. Art of Reading public tours give you a chance to explore characters and analyze plot turns. The discussion is followed by a visit to the galleries to view art works that connect to the book.


2. The Sunday Afternoon Tours are Less Expensive than Panther Game Tickets.
Public tours take place on selected Wednesdays, 6-7:30 pm and Sundays, 2-3:30 pm. During football season, it’s an alternative activity for a Sunday afternoon. Off season, it’s a great way to spend selected Sundays. [And remember Wednesday evening options too: admission to the museum is free after 5:00.]


3. It’s a New Way to View Mint Art. Just Imagine:
Mr. Darcy holding that Derby Porcelain coffee cup and saucer in the Portals to the Past Exhibition (Pride and Prejudice). Or, Frida Kahlo wearing a distinctive necklace similar to the jadeite one in the Ancient American Galleries (The Lacuna). Or, Tree-ear admiring the 12th Century Korean porcelain bowls in the Wares of the World Exhibition (A Single Shard). Or, Sarah Grimke learning plantation social customs by using the Staffordshire miniature tea and coffee service in the Portals to the Past Exhibition (The Invention of Wings).


4. Tours are Free.
Free to museum members; free after admission for non-members.


5. There’s A Tour for All Interests.
Choose from four current book tours: Pride and Prejudice (Jane Austen); The Invention of Wings (Sue Monk Kidd); The Lacuna (Barbara Kingsolver); or A Single Shard (Linda Sue Park).


More information on group tours can be found here.
A fifth tour for Isabel Wilkerson’s The Warmth of Other Suns will launch at Mint Museum Uptown April 2019.

Michele Allen and Alice Ross, Docents and Members, Public Tours Task Force

Under Construction: Collage from The Mint Museum to open December 1 at Mint Museum Uptown

Drawing together nearly 100 works from the museum’s Modern & Contemporary Collection, Under Construction: Collage from The Mint Museum is the museum’s first exhibition to focus on this dynamic, engaging medium. This technique, in which materials from different sources are cut, torn, and layered to create new meanings and narratives, experienced a renaissance after World War II, due in large part to Charlotte native Romare Bearden, whose work plays a special role in this exhibition.

The exhibition will be open to Mint members only on Friday, November 30; it opens to the public on Saturday, December 1. A party celebrating the exhibition and featuring artists, lenders, donors, and Mint members is scheduled for January 31, 2019 – check mintmuseum.org/events for details.

Bearden has long had a special place at The Mint Museum, which maintains a gallery dedicated to his work at Mint Museum Uptown. In this special exhibition, he and his work serve as a point of departure to explore the medium for which he is best known.

“It was great fun pulling together Under Construction,” noted Dr. Jonathan Stuhlman, Senior Curator of American, Modern, and Contemporary Art. “This is the first time that the museum has examined this fascinating technique in depth in a special exhibition. It also was exciting to think about how the work of Romare Bearden (which is found throughout the exhibition) relates to that of so many other artists in the collection. Under Construction is filled with dynamic, thought-provoking objects that are sure to inspire and delight our visitors.”

Under Construction explores not only classic collages including those by Bearden, but also the wide range of ways in which the technique has inspired artists and impacted other forms of art, from painting and printmaking to photography and assemblage. Featuring more than 30 international artists, Under Construction will explore the growth and impact of the collage technique from the 1950s to the present. It will include more than a dozen works by Bearden, as well as examples by such notable artists as Sam Gilliam, Robert Motherwell, Tim Rollins and K.O.S., Shepard Fairey, Howardena Pindell, Robert Rauschenberg, and James Rosenquist.

Visitors will be able to discover how eight inventive contemporary artists have continued to mine the medium recent years in a section titled “New Directions.” Although drawn primarily from the rich holdings of The Mint Museum, this exhibition will also include special loans from private collections.

The exhibition is organized by The Mint Museum. Media partners are The Charlotte Observer, Pride Magazine, and Peachy.

Media and special guests are invited to preview the exhibition at 10 AM on Friday, November 30 at Mint Museum Uptown at Levine Center for the Arts, 500 South Tryon Street. Light refreshments will be served and interviews with the curator and select artists will be available. RSVP to leigh.dyer@mintmuseum.org.

Augmented Reality

As an artist whose work spans performance art, music, sound, light, architecture, and virtual reality, Vesna Petresin’s perspective is in great demand. In addition to designing Lumisonica for The Mint Museum, Vesna has had a busy year full of exciting projects. During the last six weeks alone, she presented at three major events: the Netherlands Film Festival (Utrecht, The Netherlands, September 27 – October 5); the Beyond Festival and Symposium (Center for Media Arts, Karlsruhe, Germany, October 3 – 7); and VR Days Europe (Amsterdam, October 24 – 26). Additionally, she gave a talk at the TNW Conference at the Technical University of Munich in March, and since January has served as an Artist-in-Residence at the Amsterdam Academy for the Arts.

Vesna Petresin performing in Open Studio, a mixed reality experience, ID Lab, Theatre and Dance Academy, Amsterdam 2018

According to its website, the Netherlands Film Festival is “the leading platform for the Netherlands’ national film culture. It celebrates the achievements of Dutch filmmakers and provides the bridge between film culture and all facets of Dutch society….It is active throughout the year, stimulating and promoting Dutch film culture before the 9-day extravaganza in late September” when the best productions of the previous 12 months are presented. “These days, cinema is more than just films, and so NFF incorporates into its program disciplines that draw inspiration from, and themselves influence, the cinematic narrative form, from TV drama, music, and visual arts to games and interactive productions.” This year was the festival’s 38th year.

Vesna spoke on a panel in the “Our Brave New World” session, moderated by Dr. Dan Hassler-Forest, a researcher, writer, and lecturer at Utrecht University. In Vesna’s words, this panel was “about the utopian and dystopian aspects of new imaging and media technologies.” In describing her talk, entitled “The Real and the Virtual of VR,” she wrote, “The strength of Virtual Reality is that it offers the possibility to experience artificial realities as real: time and space fused into a “modulated” reality. Within this medium, my performance work has a strong idiosyncratic signature, exploring the medium in various contexts. My work is in transdisciplinary art and Research & Development – through performance and public art I examine the processes of transformation and the concept of time.”

Following her talk, Vesna presented Matter = Information, a new immersive sound and light VR experience for HTC Hive, which she created in collaboration with the Dutch VR developer Aron Fels.

Vesna Petresin and Aron Fels, still image from Matter = Information, 2018

The theme for this year’s Beyond Festival was Virtual Reality, Artificial Intelligence and Post-Capitalism. Its website states: “Within the coming decades new technologies are going to change our lives and the way we perceive it beyond our expectations. The BEYOND Festival is a creative collaboration of science, technology and art, an experimental laboratory for new forms of art, which simultaneously offers a glance at social effects regarding new technologies in a global context…It is a festival of films, audio-visual installations and additionally a symposium which exhibits new forms of art and media, such as 2D, 3D, artificial intelligence, virtual-, mixed- and augmented reality.”

Vesna expanded on the idea of matter as information in her talk, “Present Continuous.” She describes the talk thusly: “As the world of technology focuses on the process from bits to particles and from particles back to bits, the impact of social change through technology gives rise to a digital world order. Here, our value is defined by what we contribute to data processing. The culture of flow, Interaction, sharing, tracking, prosuming [serving as both producer and consumer], redefines ways in which we learn, work, trade, communicate and relax. In the world when the ancient myths are fused with emergent godlike technologies such as artificial intelligence and genetic engineering, how will we define what it means to be human?” Vesna presented similar ideas in her talk at the Technical University of Munich in March.

After the talk Vesna again presented the VR experience, Matter = Information.

Vesna Petresin and Aron Fels, still image from Matter = Information, 2018

For the exhibition portion of the Beyond Festival, Vesna showed The Scores of Chaos, a VR experience based on composer György Ligeti’s musical notation, which she created with a team in Amsterdam called the XR Base Unit. They worked at XRBASE Amsterdam, a co-working space and production company for immersive content that has locations across Europe. Vesna has worked with XRBASE Amsterdam (formerly known as VRBase) on several projects, including content visualization and modeling for Lumisonica.

Still image from The Scores of Chaos | Executive producer: Daniel ‘Kip’ Doornink | Fractal artist: Julius Horsthuis |Creative coders: Sander Sneek, Ruud op den Kelder | Creative advisor: Vesna Petresin | Voice-over audio: Whoozy Music | Supported by XMG, Sensiks
All music by György Ligeti performed by Pierre-Laurent Aimard and Cappella Amsterdam.

Vesna writes, “The Scores of Chaos is an immersive experience, commissioned by Muziekgebouw (Amsterdam 2018) as an homage to the musical genius of the contemporary Hungarian composer Ligeti.

His music featured in some of the most iconic scenes in Stanley Kubrick’s work, making this collaboration groundbreaking for the history of the moving image. Ligeti’s fascination with the world of fractals, chaos and multisensory experience of music, has been the inspiration behind an imaginary trip into the world of his scores. Music becomes an immersive visual landscape, a doorway into the otherworldly beauty of mathematics, of our imagination, and the universe.”

György Ligeti’s music also inspired Vesna’s sound composition for Lumisonica.

VR Days Europe is “a conference and exhibition focused on Virtual, Augmented, and Mixed Reality XR content, creativity, and innovation” comprising keynotes, sessions, workshops, and seminars led by “over 140 thought leaders and experts drawn from the health, technology, business, and arts sectors.”

Vesna presented a talk at the Museum Morning panel, at which creators, producers and artists shared projects that successfully used XR (X Reality) technology in the museum and heritage sector. The panel’s moderator was Daan Kip, a co-founder of VR Days Europe and founder of the XRBASE network. Other panelists included Nina Diamond, Content Manager at the Metropolitan Museum of Art.

Vesna’s talk, “Immersive Ambients,” discussed how “Interactive media allow us to create immersive environments and experiences outside of the ‘white cube’ of a gallery or the ‘black box’ of a theatre.” She writes, “To create a fusion of the built environment and the media, my practice utilizes the conceptof a smart, playable city…. People actively shape their environment; my work attempts to render visible and audible the impact we have on the world – on the shapes, colors, sounds, emotions, social experiences and physical processes – simply by being here.” She discussed Lumisonica, among other projects.

Vesna also hosted a session in the Philosopher’s Salon, a yurt where visitors took off their shoes, refrained from using technology, and discussed questions surrounding XR technology such as human relationships with virtual characters and the ethical implications of humans carrying out acts in virtual environments that are illegal in the real world.

Vesna’s talk, another version of “Present Continuous,” focused on presence in Virtual, Physical, and Mixed Reality. “As our present looks increasingly dystopian, questions arise about the future and the impact of social change through technology, while a new digital world order seems to be taking shape. A sense of presence in virtual worlds is akin to an escape from the trauma of existence. a largely disembodied experience allowing to play god. Rethinking the philosopher Montaigne, the sensory perception may well be synonymous with sensory illusion, as the meaning of the truth seems to become intangible, and commodified,” she writes of her talk. Afterward she led a conversation among salon visitors.

Throughout her research and artistic practice, Vesna Petresin engages with pressing questions around the relationship between humans and technology in the twenty-first century. Lumisonica extends that inquiry to the environment of The Mint Museum, creating an enhanced experience in which visitors’ interactions with the technology on the staircase lead to new perceptions of their effect on the spaces they inhabit. Come to the debut of Lumisonica at Mint Museum Uptown at Levine Center for the Arts, 500 South Tryon Street, on Friday night, November 16, from 6 to 9 PM to experience it yourself.

Public is invited to experience Lumisonica on Friday November 16 at Mint Museum Uptown

The Mint Museum is pleased to announce the public debut of Lumisonica, a site-specific, interactive light and sound installation on the Grand Staircase of Mint Museum Uptown at Levine Center for the Arts created by Vesna Petresin. Beginning Friday, November 16, visitors will experience a changing canvas of ambient light and sound that responds to their movements as they climb or descend the stairs.

That evening, Mint Museum President & CEO Todd A. Herman PhD and artist Vesna Petresin will make remarks. The event begins at 6 PM with remarks anticipated at 6:30 PM. Petresin and Creative Design Lead Ben Mason will also be available to speak to the media. There will be a cash bar in the museum’s atrium, and the museum galleries will remain open until 9 PM.

Petresin, born in Ljubljana, Slovenia, is a trans-disciplinary artist who has exhibited and performed at the Tate Modern; ArtBasel Miami; the Royal Academy of the Arts; the Venice Biennale; the Institute of Contemporary Arts London; and the Vienna Secession. She is based in London, Amsterdam, and Berlin. She is scheduled to be an artist in residence at the McColl Center for Art + Innovation from January through April.

Mason, based in Asheville, runs a digital media business offering services such as media systems architecture and design, photography, animation, web design, sound design, show control/stage interactives, and more. He designed and implemented the lighting and sound systems and consulted on programming for Lumisonica.

The project was funded through a generous grant from The John S. and James L. Knight Foundation, which challenged museums to use technology to enhance the visitor experience.

Creating a multisensory landscape

Lumisonica transforms the museum’s main entrance into an unparalleled immersive experience that will be choreographed by the visiting public. Based upon the idea of the smart city, this multisensory landscape makes invisible space visible, audible, and tangible while aiming to increase people’s awareness that they can and do shape their own place, perceptions and reality. Lumisonica assures a daring and playful experience like no other in the heart of Charlotte’s flourishing art district. Juxtaposed near the large reflective Niki de Saint Phalle sculpture Firebird in front of the Bechtler Museum of Modern Art, this light and sound sculpture provides another dynamic feature to highlight entropic experiences, moiré patterns and other optical and perceptional illusions in this cultural area.

The “smart city” concept of this dynamic datascape is drawn from two components that change the form to an accessible visual/audio display based upon public movement and engagement:

Visual content is created by programmable LED light features embedded into the staircase and railings. The light effects are designed to work interactively based on data captured from the environment as well as on presets of visual effects. The light effects are programmed along a 24/7 schedule with pre-rendered sets at specific times of the day, combined with responsive effects based on criteria such as visibility, program of events at the museum, and the number of visitors.

Audio content permeates ambient sound loops designed to respond and support the light effects. These amplify the visitor’s feeling of presence in the environment and assist their spatial navigation, by amplifying the ranges of frequencies that translate to embodied sensations. The audio content includes composed soundscapes and loops of sonic textures as well as key framed musical motifs on specific days and at specific times to announce events.

“My work tries to offer a moment to remember we inhabit and co-create a multisensory symphony,” said Petresin. “The piece for the Mint has been inspired by the idea that matter is information under constant transformation, bringing memory, human connection, wonder, and innovation.”

Lumisonica will be in place during The Mint Museum’s upcoming exhibition Immersed in Light (Fall 2019 – Spring 2020). The exhibition will feature experiential lighting installations by four contemporary artists and designers at Mint Museum Uptown.

Staircase to enhance museum experience, visitation

The Mint was among 12 recipients of $1.87 million in funding from the Knight Foundation for new ways of using technology to immerse visitors in art. Institutions in cities including Philadelphia, Detroit, Miami, Minneapolis, Chicago, and New York City are joining Charlotte in creating new tools ranging from chat bots to augmented reality apps to engage new audiences.

Funding for this project is part of a Knight Foundation initiative to help museums better meet new community demands and use digital tools to meaningfully engage visitors in art. Knight, which promotes informed and engaged communities, has helped institutions—from newsrooms to libraries—adapt to and thrive in the digital age. This funding expands the foundation’s use of its digital expertise to help art museums build stronger, more vibrant communities.

“The arts have the rare power to bring diverse communities together, provoke personal reflection, and inspire new ways of thinking,” said Victoria Rogers, Knight Foundation vice president for the arts. “Our hope is that by integrating technology, museums can better reach and engage audiences in ways that connect them to the art.”

ABOUT VESNA PETRESIN

Vesna Petresin is currently an Artist-in-Residence at Amsterdam University of the Arts and a Visiting Fellow at Goldsmiths (University of London). She has been an Artist in Residence at ZKM in Germany and created a London-based trans-disciplinary art collective whose exploration of optics, acoustics and psychology takes the format of performance, installation and artifact.

As a time architect, non-object based designer, space composer and performer, her practice utilizes an alchemy of media and senses (sound, film, space, interaction, and performance) to take art out of the white cube and bring it into an immersive experience. The key concept is transformation—of the material, the immaterial and the self.

Petresin seeks elements to link cultures rather than separate them and pays attention to archetypal formal constants and patterns existing in nature, human perception and the creative process. Her work in immersive light is ground-breaking and has been featured at Tate Modern, ArtBasel Miami, Venice Biennale, The Royal Festival Hall, The Royal Academy of Arts, ICA, The Sydney Opera House, Vienna Secession, Cannes International Film Festival and Kings Place among others.

Petresin’s academic background in classical music and architecture has propelled her as a Fellow of the Royal Society of the Arts, a Member of the Architectural Association, a keynote speaker at symposia including “SuperLux: Smart Light Art, Design and Architecture for Cities” (Technical University of Munich, 2016), the XR Summit (ISE at RAI, Amsterdam 2018) and a print author of internationally notable publications. She has written on smart cities (Thames & Hudson, Black Dog) and on Leonardo da Vinci’s creative methods in relation to 21st century view of morphogenesis in art and design for Springer Publications.

ABOUT THE JOHN S. AND JAMES L. KNIGHT FOUNDATION

Knight Foundation is a national foundation with strong local roots. We invest in journalism, in the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy.

Young Affiliates of the Mint to host Sixth Annual Charity Gala: Fall Ball 2018: Mint Main Event

The Young Affiliates of the Mint (the “YAMs”) are proud to present the Sixth Annual Fall Ball: “Mint Main Event.” The black-tie gala will take place on Saturday, November 3 from 8 PM to midnight at Mint Museum Uptown at Levine Center for the Arts and will be themed around old Hollywood and include live entertainment and an open bar. This year’s Fall Ball will serve as a fundraiser in support of the YAMs’ contribution to the Mint’s Annual Fund to provide Mint Museum tours for Charlotte-Mecklenburg Schools students.

In support of the YAMs’ mission of promoting and celebrating the arts, the charitable event will be an ode to old Hollywood glam featuring live music from Sammy Sinatra and the Mad Men, “the South’s premiere Vegas style lounge act with a twist,” as well as Charlotte’s own DJ Chescov. There will even be a red-carpet walk of fame highlighting the names of attendees who purchased early-bird tickets, recognizing them for their support.

“We’re proud to bring Fall Ball back to Mint Museum Uptown following their Grand Re-opening Celebration,” said Amorette Mangum, co-chair of the annual event. “To make this philanthropic event even more accessible for Charlotte’s young professional crowd, we’ve lowered the ticket prices for the first time in the event’s history.”

Tickets start at just $80 for members and $99 for non-members and include hors d’oeuvres and complimentary beer and wine. To learn more and to purchase tickets, visit https://13800.blackbaudhosting.com/13800/Fall-Ball-2018-MINT-MAIN-EVENT.

Special thanks to the 2018 Fall Ball title sponsor, Felix Sabates Lincoln, and our annual gold sponsor, United Global Technologies, as well as Tito’s Vodka and La Belle Helene for their contributions to this annual event. In addition to Fall Ball, the YAMs are proud to partner with UGT for their 2018-2019 signature events including the YP Mixer, Derby Days, and the Art Show.

About Felix Sabates Lincoln

Felix Sabates Lincoln, located on South Boulevard in Charlotte, has a strong and committed sales staff with many years of experience satisfying customers’ needs. Felix Sabates is proud to sponsor the YAMs and the Charlotte arts community as well as serve as the title sponsor for Fall Ball: Mint Main Event.

About the United Global Technologies

For almost a decade, United Global Technologies has set the standard for US-based IT and engineering services. Founded in 2009, by Elizabeth Bernstein and Jason Monastra, UGT has excelled at meeting the diverse information technology, engineering, and operational needs of industrial and service leaders across the country and around the globe. Through the generosity and tireless efforts of UGT employees, families and friends, philanthropy has become more than an initiative — it is a way of life. UGT is headquartered in Charlotte, NC and is thrilled to be a part of the thriving community. To learn more about UGT visit https://www.ugtechnologies.com/.

About the Young Affiliates of the Mint

Established in 1990, the YAMs are a diverse group of young professionals promoting and supporting The Mint Museum through cultural, social, leadership, and fundraising activities and events. All YAM event proceeds directly benefit Charlotte-Mecklenburg students by offsetting the cost of Mint Museum tours throughout the school year.

For More Information Contact:

Amorette Mangum or Victoria Mathias

Fall Ball Co-Chairs, Young Affiliates of the Mint

youngaffiliatesofthemint@gmail.com