John Leslie Breck (American, 1860-99). "Suzanne Hoschedé-Monet Sewing," 1888, oil on canvas. Gift of the Mint Museum Auxiliary and courtesy Heather James Fine Art. 2016.25

John Leslie Breck: American Impressionist

Mint Museum Uptown
September 18, 2021 – January 2, 2022 (traveling thereafter) 

Inspired by The Mint Museum’s 2016 acquisition of John Leslie Breck’s canvas Suzanne Hoschedé-Monet Sewing, this exhibition includes approximately 70 of Breck’s finest works, drawn from public and private collections as well as the illustrious Terra Foundation collection of American art. Many of the works in the exhibition have not been on public view in more than a century.

Also featured in the exhibition are related paintings by Breck’s French and American Impressionist colleagues, including Theodore Robinson, Willard Metcalf, Lila Cabot Perry, and Dennis Miller Bunker.

A look at the life of John Leslie Breck

In 1887, Breck was one of the founders of the American art colony at Giverny and was among the earliest American artists to embrace the Impressionist style. He was also one of the first to exhibit his Impressionist paintings in America and helped to popularize the style during his years working in the Boston area in the 1890s.

Between 1887 and 1888 he and a handful of his American colleagues began visiting the French village of Giverny, where they met Claude Monet and subsequently explored the new approach to painting that Monet had helped to pioneer. Breck’s canvases from this period, loosely brushed and filled with light and color, are a marked departure from his earlier works that are characterized by darker tonalities and tighter brushwork that typified the preferred style of the era. When Breck returned to America in 1892, he applied what he had learned to paintings of the New England landscape and frequently exhibited his work.

Along with his scenes of Giverny and America, this exhibition features a selection of paintings from his sojourn in Venice in 1897. Always interested exploring in new ways of seeing the world, Breck had begun to explore aspects of post-Impressionism and Asian aesthetics in the years before his early death, at the age of 39, in 1899

Funding for this exhibition is provided by The Mint Museum Auxiliary, Bank of America, and The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts.

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