Join two featured fashion designers from African-Print Fashion Now! A Story of Taste, Globalization, and Style, Titi Ademola and Alexis Temomanin, for an inside look at their work, inspiration, and future projects. Light reception with cash bar to follow. A unique opportunity to meet two of Africa’s most talented couturiers!
FREE for Mint members or with museum admission purchased at the door.
Pre-registration required for talk. Note, auditorium seating is limited and first-come, first-served.
About Titi Ademola: KIKI Clothing is the brainchild of Titi Ademola, a Ghanaian/ Nigerian fashion designer, who is focused and dedicated to creating African inspired collections that are meticulously made in Ghana.
After undertaking a Bachelors degree in Fashion Design from the London College of Fashion, Titi transferred her degree to the American InterContinental University in Atlanta, Georgia, with a concentration in Marketing.
Thereafter she had the valuable experience of interning with renowned designer Betsey Johnson in New York City and working for Burberry.
Staying true to her desire to relocate back to West Africa, KIKI Clothing was eventually born. Highlighted in Vogue Italia, Elle Italia, The Daily Telegraph UK, Glamour Magazine SA, CNN, BBC and other leading media outlets, KIKI Clothing has also had its ever popular Handkerchief hem dress, photographed by the one and only Mario Testino for Vogue US and worn by Academy Award winning actress Lupita Nyong’o. In addition, the KIKI brand has been featured and celebrated on the red carpet by Hollywood actress Nicole Ari Parker and reality star, Tiffany Jones.
Exhibiting collections in Accra, Lagos, Mauritius, Johannesburg, as well as London and Rome, has brought well received brand recognition and inspiring opportunities to the KIKI label.
‘I wanted to give credence to the magnificence of Africa’s distinctive creative and artistic ability, through the production of exquisite and wearable clothing and accessory items. Items which speak to Africa Rising. Items which speak to contemporary, fashionable, Afro-politian Africa. Items which speak to the distinct, unique stylistic preferences and trends of her people’.
About Alexis Temomanin: Dent de Man is a menswear brand created in 2012 by British-Ivorian designer, Alexis Temomanin. Dent de Man’s approach to luxury style is defined by a mix of classic tailoring with colourful patterned fabric. The Dent de Man lifestyle is defined by freedom, quality and “esthétisme,” empowering individuals to dress for themselves. Self-expression is core to Dent de Man’s philosophy. The brand prides itself on the use of vintage fabrics and celebration of ancient printing techniques, Dent de Man adapts decadent and bold Java prints forming unique garments that allow individuals to own distinctive and irreplaceable pieces. All Dent de Man fabric is carefully sourced and possesses its own story and meaning.
This event is located at Mint Museum Randolph
Enjoy drumming and informal art activities celebrating the opening of African-Print Fashion Now! A Story of Taste, Globalization, & Style.
Art activities in the classroom, drum and dance performance featuring Drums 4 Life, and cash bar, 1-5 PM.
Public talk 2 – 3 PM
Join featured fashion designers Titi Ademola and Alexis Temomanin for an inside look at their work, inspiration, and future projects. Seating in the auditorium is limited and will be first-come, first-served; please RSVP here.
Light reception with cash bar to follow. A unique opportunity to meet two of Africa’s most talented couturiers!
Sunday, October 7 , 1-5 PM, Mint Museum Randolph
Image: Lekan Jeyifo (b. Nigeria) and Walé Oyéjidé (b. Nigeria, 1981)
Johannesburg 2081 A.D.
Africa 2081 A.D. series, 2014
Courtesy Ikiré Jones
This event is located at Mint Museum Randolph
For Crown Society patrons and exhibition sponsors. Please note: Mint Museum Randolph will remain closed to the public from 11 AM-1 PM to accommodate this special event. Read More
Members are the first to preview the Mint’s newest exhibition, and can enjoy 20 percent off in the museum store! Enjoy member previews from 11 AM-6 PM on Friday October 5 and 1-6 PM on Saturday October 6. Read More
African-Print Fashion Now! A Story of Taste, Globalization, and Style introduces audiences to the dynamic traditions of African dress featuring colorful, boldly patterned printed cloth. The exhibition, opening to the public at Mint Museum Randolph October 7 following two days of Mint member previews, highlights the interplay between regional preferences and cosmopolitanism that has long flourished on the continent, while highlighting the expansiveness of 21st-century African-print fashion.
The exhibition will be open to Mint members on Friday, October 5 from 11 AM-6 PM and Saturday October 6 from 1-6 PM, and will open to the public on Sunday, October 7 from 1-5 PM. Two fashion designers with work featured in the exhibition, Titi Ademola and Alexis Temomanin, will be in Charlotte from Thursday through Sunday and are available for media interviews. Sunday’s event includes a public talk with both designers from 2-3 PM, free after museum admission. Public opening day also includes a drumming performance and a light reception with cash bar. Ademola, a Ghanian/Nigerian designer, is founder of the KIKI label, while Temomanin is the British-Ivorian founder of menswear brand Dent de Man.
African-Print Fashion Now!, organized by the Fowler Museum at UCLA, expands the Mint’s presentations of contemporary fashion into a broader cultural arena, and continues the Mint’s emphasis on presenting exhibitions that represent diverse voices and backgrounds. “This exhibition aligns with our mission to explore the meaning of fashion in a global 21st-century context,” said Annie Carlano, Senior Curator of Craft, Design, & Fashion at the Mint. “From the bold, dynamic cloth, to the inventive, sculptural silhouettes, the textiles and fashions in this exhibition have inspired and infiltrated Western fashion, art, music, and popular culture.”
“The Mint is honored to be one of three venues for this important exhibition, and very pleased to collaborate with the Fowler Museum, UCLA, for the first time,” said Dr. Todd Herman, PhD, President & CEO of the Mint. “Additionally, we are deeply grateful to Charlotte’s own Michael Gallis for his role in bringing this exhibition to our community.”
The works featured throughout the exhibition demonstrate the vital role that African-print has played in the expression of beauty, fashion, and heritage, while creating transcultural connections across Africa and into the larger world.
The exhibition is complemented by an interactive design studio created by the Mint’s Learning & Engagement team, offering visitors of all ages opportunities to design their own prints, experience African-print fabrics, and go on a scavenger hunt through the exhibition.
Four sections weaving multiple themes
The exhibition is organized into four sections: “It All Starts with Cloth,” “Portraits in Print,” “Regional Styles, Fashion Preferences,” and “New Directions.” Collectively, the installation includes dozens of tailored fashions, nearly 100 archival and contemporary cloths, approximately 20 black-and-white studio portrait photographs from the 1960s and 1970s, a series of runway videos, and several works by contemporary visual artists. Ensembles on view draw from the Fowler’s collections, private loans, and the extensive archives of the Dutch textile manufacturing company Vlisco.
Several themes weave their way throughout the exhibition, mimicking the cyclical nature of fashion trends and the ripple effects of politics and technology on the formation of identity. One theme is consumer agency, both in determining designs and patterns through purchasing power and by commissioning unique ensembles from seamstresses and tailors. Another theme is the theatrical power of fashion, and its ability to express individualism or collective solidarity, whether in a family portrait or Women’s Day Marches in communities across the continent. Finally, a link between imaging and fashion surfaces in each section of the exhibition. From formal portraiture to visual arts to ubiquitous African fashion calendars to street style photos shared by cell-phone, it is clear that representations of fashion have always been a nuanced form of communication.
Fashion subtly communicates about place, heritage, and belonging through such means as appropriation, pastiche, and revival. Throughout the exhibition, African-print fashions are considered to be creative responses to key historical moments and empowering projections about Africa’s future.
About the Exhibition
“It All Starts with Cloth” addresses the history of African-print textiles, originally inspired by batik or wax-resist cloth from Indonesia. A dense grid of more than 60 cloths manufactured in Europe, Africa, and Asia evokes the vibrating colors and designs stocked in open-air markets and cloth shops across the African continent. A visual timeline of production across these regions outlines the history of the cloth trade in West and Central Africa from the 1800s to the present. Archival photographs and dramatic film footage of the Vlisco factory in operation transport audiences to the production of cloth in the Netherlands.
“Portraits in Print” leaves behind the brightly colored world of African-print fashion and enters an intimate black-and-white space of memory. A gallery introduces four photographers from Africa’s “golden age” of black-and-white photography in the 1960s and 1970s: Francis K. Honny (Ghana, 1914–1998); Jacques Toussele (Cameroon, 1935–2017); Omar Ly (Senegal, 1943–2016); and Mory Bamba (b. Mali, 1949). Their photography studios in newly independent West African countries provided a platform for an ascending middle class to see themselves and be seen by one another. The portraits are indicative of a historical moment when local African-print ensemble styles gained new significance as expressions of national and Pan-African pride and identity.
“Regional Styles, Fashion Preferences” takes an in-depth look at localized contemporary African-print fashion whereby stylish dress is a feature of daily life. Ensembles on view from Cameroon, Côte d’Ivoire, Ghana, Nigeria, and Senegal reflect an array of styles, all of them customized and individually made to order. This section presents a case study from Kumasi, Ghana to illustrate the interactive commissioning process between seamstresses or tailors and their fashion-conscious clientele. The bold patterns of the cloth engineered with subtle and striking variations in style reveal the ingenuity and flair of regional designers.
“New Directions” bridges regional cultures with transnational art and fashion networks, beginning with African-print styles on global runways in Paris, New York, Dakar, and other cities. Designers in this section include Titi Ademola (b. London, based in Ghana), Ituen Bassey (b. Nigeria), Afua Dabanka (b. Germany, based in Ghana), Lisa Folawiyo (b. Nigeria), Adama Amanda Ndiaye (b. Democratic Republic of the Congo, based in Senegal), Alexis Temomanin (b. Côte d’Ivoire), Gilles Touré (b. Côte d’Ivoire), and Patricia Waota (b. Côte d’Ivoire). Ensembles on view feature full-length gowns and men’s blazers, metallic wax print, and architectural pleating and boning—all of which harmoniously marry the drape of the fabric with the strategic construction of print patterns for stunning results.
Juxtaposed with these glamorous designs are contemporary works by photographers and other visual artists who incorporate print-cloth imagery to convey evocative messages about heritage, hybridity, displacement, and aspiration.
Members of the media and invited special guests are invited to preview the exhibition from 5:30-7 PM on Thursday October 4 at Mint Museum Randolph, 2730 Randolph Road in Charlotte. Light refreshments, wine, and beer will be served. RSVP to Leigh.Dyer@mintmuseum.org.
The exhibition is accompanied by a fully illustrated volume generously funded by the R. L. Shep Endowment Fund at the Fowler Museum. The publication includes essays authored by exhibition co-curators Suzanne Gott, Kristyne S. Loughran, Betsy D. Quick, and Leslie W. Rabine with additional essays contributed by Kathleen Bickford Berzock, Boatema Boateng, M. Amah Edoh, Helen Elands, Anne Grosfilley, Karen Tranberg-Hansen, Helen Jennings, Sandra Klopper, Stephan F. Miescher, Hansi Momodu-Gordon, John Picton, Elisha P. Renne, Victoria L. Rovine, Ken Aïcha Sy, and Nina Sylvanus. It is on sale for $40 in both locations of the Mint Museum stores.
African-Print Fashion Now! A Story of Taste, Globalization, and Style is organized by the Fowler Museum at UCLA in association with Vlisco Netherlands B.V. It is guest curated by Suzanne Gott with Kristyne S. Loughran, Betsy D. Quick, and Leslie W. Rabine. In Charlotte, Annie Carlano, Senior Curator of Craft, Design, & Fashion, is the project curator. Major funding is provided by the National Endowment for the Arts with the additional support of R. L. Shep, DutchCulture, and Pasadena Art Alliance.
The exhibition is presented in Charlotte by PNC Financial Services with generous additional support from the Mint Museum Auxiliary, Wells Fargo Private Bank, and Moore & Van Allen.
ABOUT THE FOWLER MUSEUM
The Fowler Museum at UCLA explores global arts and cultures with an emphasis on works from Africa, Asia, the Pacific, and the Americas—past and present. The Fowler enhances understanding of world cultures through dynamic exhibitions, publications, and public programs, informed by interdisciplinary approaches and the perspectives of the cultures represented. Also featured is the work of international contemporary artists presented within the complex frameworks of politics, culture, and social action.
|Lekan Jeyifo and Walé Oyéjidé, Johannesburg 2081 A.D., Africa 2081 A.D. series, 2014; Digital print. Courtesy Ikiré Jones.|
Public is invited to join our grand re-opening and exciting fall lineup
Following a five-week closure for floor refinishing and other improvements, Mint Museum Uptown will re-open its doors to the public Wednesday August 15, and is inviting the public to join a jam-packed lineup of special events in the coming weeks to celebrate its grand-reopening; welcome its new President & CEO, Todd A. Herman PhD; and enjoy a new fall lineup of exhibitions, as well as new features in its permanent collection galleries. Upcoming events include:
- September 5, Community Coffee : From 8:30-10:30 a.m., the public is invited to Mint Museum Uptown at Levine Center for the Arts, 500 South Tryon Street, to join the Mint’s new President & CEO, Todd A. Herman PhD, for a light breakfast and conversation. The free event will be held in the Morrison Atrium. RSVP at mintmuseum.org/events .
- September 8, Potters Market Invitational : The traditional kickoff to the fall season, sponsored by the Delhom Service League, will bring more than 65 renowned North Carolina potters – the highest number in the 14-year history of the event – to the lawn at Mint Museum Randolph, 2730 Randolph Road, to sell their wares from 10 a.m.-4 p.m. Tickets are $12 and proceeds support the Mint’s ceramics collection. More at PottersMarketattheMint.com .
- September 12, special screening of “ The Gospel According to André :” Mint Museum Randolph hosts a public screening of the documentary chronicling the fashion career of North Carolina native André Leon Talley, former editor-at-large for American Vogue and curator of The Glamour and Romance of Oscar de la Renta (closing after August 19), with a special appearance by Talley himself. Tickets are $10 or $7.50 for Mint members; more at mintmuseum.org/events .
- September 14-15-16, Grand Re-Opening of Mint Museum Uptown: The community is invited to join this FREE event on Friday September 14 and Saturday September 15 to celebrate the unveiling of Lumisonica , an interactive light and sound installation on the Grand Staircase by international artist Vesna Petresin; the opening of Mainframe, the newest art show organized by Young Affiliates of the Mint (and on view through October 17); a live-painting mural project from local muralists Owl + Arko on Saturday September 15; and a spectacular aerial performance by dancers from Caroline Calouche & Co. , launched from the roof of Mint Museum Uptown and occurring on the façade above the staircase, on September 15 and 16 . The performance, entitled “Perspective,” marks the first “vertical” aerial dance performance of its type in Charlotte. The weekend event will also include live music, cash bar, and food trucks. Details at mintmuseum.org/events .
- Expanded operating hours – soon Friday evenings at Uptown: The grand re-opening weekend marks the debut of new, extended operating hours at Mint Museum Uptown. Beginning September 14, Mint Museum Uptown will remain open until 9 p.m. on Fridays (the Randolph location will maintain the existing schedule of closing at 6 p.m.). The museum is extending Friday hours in response to visitor feedback to make its galleries and programming more accessible and convenient to the public.
Fall exhibition lineup ahead
In the permanent collection galleries, visitors will encounter new frames on signature works of art, as well as newly installed works in the Schiff-Bresler Family Fiber Art Gallery on Level 3. Following the September events, the community is invited to mark its calendars for the Mint’s spectacular fall exhibition lineup, which includes:
African-Print Fashion Now! A Story of Taste, Globalization, & Style : October 7, 2018-April 28, 2019 at Mint Museum Randolph, 2730 Randolph Road; Mint member-only hours Friday October 5, 11 a.m.-6 p.m. and Saturday October 6, 1-5 p.m.; two fashion designers, Titi Ademola and Alexis Temomanin, speak at 2 p.m. on Sunday October 7. This exhibition introduces visitors to a dynamic and diverse dress tradition and the increasingly interconnected fashion worlds that it inhabits: “popular” garments created by local seamstresses and tailors across the continent; international runway fashions designed by Africa’s newest generation of couturiers; and boundary-breaking, transnational and youth styles favored in Africa’s urban centers. All feature the colorful, boldly designed, manufactured cotton textiles that have come to be known as “African-print cloth.” The exhibition is organized by the Fowler Museum at UCLA in association with Vlisco Netherlands B.V. It is guest curated by Suzanne Gott with Kristyne S. Loughran, Betsy D. Quick, and Leslie W. Rabine. Major funding is provided by the National Endowment for the Arts with the additional support of R.L. Shep, DutchCulture, and the Pasadena Art Alliance. It is presented in Charlotte by PNC Financial Services, with additional support by Wells Fargo Private Bank.
Michael Sherrill Retrospective : October 27, 2018-April 7, 2019 at Mint Museum Uptown at Levine Center for the Arts, 500 South Tryon Street; Mint member-only hours 11 a.m.- 9 p.m. on Friday October 26; Sherrill gives a free public talk 11 a.m. Saturday October 27. In his delicately rendered sculptures Michael Sherrill seeks to elicit a sense of wonder from viewers, and to make them see things fresh. Working with clay, glass, and metal, his exquisite floral forms have the allure of Martin Johnson Heade’s passion flower and orchid paintings and the botanical engravings of John James Audubon, at the same time they are remarkably new. This retrospective will illustrate the artist’s evolution over his more than 40-year career and highlight his contributions to contemporary art, craft, and design. Primarily a self-taught artist, Sherrill moved from Charlotte, North Carolina to the Western North Carolina mountains in 1974. His early influences came from the North Carolina folk pottery tradition and the community surrounding Penland School of Crafts and the Southern Highland Handicraft Guild. Exhibition organized by The Mint Museum. Generous support for the exhibition catalogue and tour provided by the Windgate Foundation; additional funding from the Founders’ Circle Ltd. and Bank of America.
Under Construction: Postwar Collage at The Mint Museum : December 1, 2018-Aug. 18, 2019 at Mint Museum Uptown. This is The Mint Museum’s first large-scale exhibition to explore the dynamic medium of collage. Mint member-only hours 11 a.m.-9 p.m. Friday November 30. Although this artistic technique, in which materials are cut, torn, and layered to create new meanings and narratives, gained acclaim in the early twentieth century through the groundbreaking work of such artists as Pablo Picasso, Georges Braque, Kurt Schwitters, and Jean Arp, it experienced a renaissance (particularly in America) after World War II. Charlotte native Romare Bearden is widely credited with rejuvenating and reinvigorating the technique. His work, which has long been a highlight of The Mint Museum’s collection, serves as the point of departure for this fascinating exhibition featuring more than 50 international artists and more than 100 works of art.