The Mint Museum is pleased to announce that it has selected internationally-renowned artist Vesna Petresin to create a . The project is being funded through a generous grant from the John S. and James L. Knight Foundation, which challenged museums to use technology to enhance the visitor experience.
“Ever since Mint Museum Uptown opened in 2010, we have sought ways to interface more directly with Levine Center for the Arts plaza, by enlivening the front of the building to be more welcoming to our visitors,” said Jonathan Stuhlman, Senior Curator of American, Modern, & Contemporary Art.
“After a careful review of more than three dozen applicants, our team felt that Vesna’s proposal was a perfect blend of interactivity, innovation, and aesthetics. We are excited to work with her to bring her vision—and the entrance to the museum—to life!” said Annie Carlano, Senior Curator of Craft, Design, & Fashion.
Petresin, born in Ljubljana, Slovenia, is a trans-disciplinary artist who has exhibited and performed at the Tate Modern; ArtBasel Miami; the Royal Academy of the Arts; the Venice Biennale; the Institute of Contemporary Arts London; and the Vienna Secession. She is represented by Bonnie Hall Fine Art Asset Management. Her installation, Lumisonica, will map the physical movements of people on the museum’s steps, responding with a changing canvas of ambient light and sound.
Petresin will work with her team, including regional and city of Charlotte consultants, to design, test, and create the installation throughout the spring and summer. Work will continue while Mint Museum Uptown closes from early July through mid-August for a floor refinishing project (Mint Museum Randolph will remain open). It is scheduled to debut at a public celebration in September (details to be announced closer to the date).
Creating a multisensory landscape
This public art project transforms the museum’s main entrance into an unparalleled immersive experience that will be choreographed by the visiting public. Based upon the idea of the smart city, this multisensory landscape makes invisible space visible, audible, and tangible while aiming to increase people’s awareness that they can and do shape their own place, perceptions and reality. Lumisonica assures a daring and playful experience like no other in the heart of Charlotte’s flourishing art district. Juxtaposed near the large reflective Niki de Saint Phalle sculpture Firebird in front of the Bechtler Museum of Modern Art, this light and sound sculpture provides another dynamic feature to highlight entropic experiences, moiré patterns and other optical and perceptional illusions in this cultural area.
The “smart city” concept of this dynamic datascape is drawn from two components that change the form to an accessible visual/audio display based upon public movement and engagement:
Visual content is created by programmable LED light features embedded into the staircase and railings. The light effects include subtle, safe and non-intrusive animated patterns, designed to work interactively based on data captured from the environment as well as on presets of visual effects. The light effects are programmed along a 24/7 schedule with pre-rendered sets at specific times of the day, combined with responsive effects based on criteria such as visibility, program of events at the museum, and the number of visitors.
Audio content permeates ambient sound loops designed to respond and support the light effects. These amplify the visitor’s feeling of presence in the environment and assist their spatial navigation, by amplifying the ranges of frequencies that translate to embodied sensations. The audio content includes composed soundscapes and loops of sonic textures as well as key framed musical motifs on specific days and at specific times to announce events.
Additionally, the project plan is to expand from installation to an online digital experience through a contextual component set to provide an immersive experience exclusive to each visitor entering the website. In this way, Petresin allocates access to a wider public and allows the Mint visitor an ability to take with them a direct experience from their museum outing.
“My work tries to offer a moment to remember we inhabit and co-create a multisensory symphony,” said Petresin. “The piece for the Mint has been inspired by the idea that matter is information under constant transformation, bringing memory, human connection, wonder, and innovation.”
Petresin will also create a special sound and light sequence for Lumisonica as part of The Mint Museum’s exhibition Immersed in Light (Fall 2020 – Spring 2021). The exhibition will feature experiential lighting installations by four contemporary artists and designers in the Gorelick Galleries at Mint Museum Uptown.
Staircase to enhance museum experience, visitation
The Mint was among 12 recipients of $1.87 million in funding from the Knight Foundation for new ways of using technology to immerse visitors in art. Institutions in cities including Philadelphia, Detroit, Miami, Minneapolis, Chicago, and New York City are joining Charlotte in creating new tools ranging from chat bots to augmented reality apps to engage new audiences.
Funding for this project is part of a Knight Foundation initiative to help museums better meet new community demands and use digital tools to meaningfully engage visitors in art. Knight, which promotes informed and engaged communities, has helped institutions—from newsrooms to libraries—adapt to and thrive in the digital age. This funding expands the foundation’s use of its digital expertise to help art museums build stronger, more vibrant communities.
“The arts have the rare power to bring diverse communities together, provoke personal reflection, and inspire new ways of thinking,” said Victoria Rogers, Knight Foundation vice president for the arts. “Our hope is that by integrating technology, museums can better reach and engage audiences in ways that connect them to the art.”
Above image: Concept rendering for Mint Museum Uptown Grand Staircase installation titled Lumisonica, courtesy of Vesna Petresin.
ABOUT VESNA PETRESIN
Vesna Petresin is currently an Artist-in-Residence at Amsterdam University of the Arts and a Visiting Fellow at Goldsmiths (University of London). She has been an Artist in Residence at ZKM in Germany and created a London-based trans-disciplinary art collective whose exploration of optics, acoustics and psychology takes the format of performance, installation and artifact.
As a time architect, non-object based designer, space composer and performer, her practice utilizes an alchemy of media and senses (sound, film, space, interaction, and performance) to take art out of the white cube and bring it into an immersive experience. The key concept is transformation—of the material, the immaterial and the self.
Petresin seeks elements to link cultures rather than separate them and pays attention to archetypal formal constants and patterns existing in nature, human perception and the creative process. Her work in immersive light is ground-breaking and has been featured at Tate Modern, ArtBasel Miami, Venice Biennale, The Royal Festival Hall, The Royal Academy of Arts, ICA, The Sydney Opera House, Vienna Secession, Cannes International Film Festival and Kings Place among others.
Petresin’s academic background in classical music and architecture has propelled her as a Fellow of the Royal Society of the Arts, a Member of the Architectural Association, a keynote speaker at symposia including “SuperLux: Smart Light Art, Design and Architecture for Cities” (Technical University of Munich, 2016), the XR Summit ( ISE at RAI, Amsterdam 2018) and a print author of internationally notable publications. She has written on smart cities (Thames & Hudson, Black Dog) and on Leonardo da Vinci’s creative methods in relation to 21st century view of morphogenesis in art and design for Springer Publications.
ABOUT THE JOHN S. AND JAMES L. KNIGHT FOUNDATION
Knight Foundation is a national foundation with strong local roots. We invest in journalism, in the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy.
Visitors, staff will focus on Mint Museum Randolph during interval
Mint Museum Uptown, a soaring architectural marvel in the heart of Levine Center for the Arts, must close its doors to the public from July 9 through approximately August 17, 2018. The closure is necessary to refinish the building’s heavily-visited hardwood floors for the first time since the building opened to the public in 2010.
UPDATED: The interval falls during the highly anticipated exhibition The Glamour and Romance of Oscar de la Renta , which will be on view at Mint Museum Randolph April 29 through its recently extended closing date of August 19. “With this exhibition serving as a significant draw, along with our popular permanent collections of Decorative Arts, Ancient American, European, and African art on view at Mint Museum Randolph, we expect the Mint will continue to be a strong force for visitors and tourism during the summer,” said Hillary Cooper, Director of Advancement & Communications for the Mint.
A committee representing the City of Charlotte (which owns the Mint’s two buildings), Mint staff, and other stakeholders determined the temporary closure of the 175,000 square foot uptown location is necessary to protect the public, staff, and art collection while the project is underway. Mint staff will either relocate to offices at the Randolph location or work remotely during the interval. The Mint Museum Uptown Shop and Halcyon, Flavors from the Earth restaurant will experience a briefer impact, with closing anticipated between July 25 and August 1.
Some dates may be subject to change, and the Mint will use its website, eblasts, and social media to keep the public informed throughout the project.
“The public will be invited to a grand re-opening celebration soon after we re-open,” said Cooper. “We expect this improvement to keep Mint Museum Uptown’s role as a premier center city destination secure for many years to come.” NOTE: Festivities are now planned for the weekend of September 14-15, 2018; keep an eye on mintmuseum.org/happenings for details.
NEW: During the closure, Mint Museum members will receive FREE admission to the Bechtler Museum of Modern Art and Harvey B. Gantt Center for African-American Arts + Culture . Not yet a member? Visit mintmuseum.org/join . Additionally, Mint members receive a 10 percent discount in the Bechtler shop! All museums rely on their members to support their access to the community; please consider also becoming a member of the Bechtler and the Gantt Center in addition to the Mint.
FREE MINT MEMBER YOGA: Offered by N.C. Yoga Bar each Wednesday evening will move to Mint Museum Randolph from July 18 through mid-August!