Mint Museum Shops offer great finds for mom and dad

Support your local museum with gift shopping this Mother’s Day and Father’s Day

CHARLOTTE, N.C. (April 18, 2012) – Hunting for a memorable gift for Mother’s Day or Father’s Day this year is easy – just stop at one of the two convenient locations of the Mint Museum Shops for some gorgeous finds: at Mint Museum Uptown at Levine Center for the Arts, 500 South Tryon Street, or at Mint Museum Randolph, 2730 Randolph Road.

“The Charlotte area’s shoppers may sometimes forget how many one-of-a-kind gifts are available at the Mint Museum Shops, and how convenient the two shop locations are,” said Sandy Fisher, Museum Shops Manager. “Shoppers can have the double reward of purchasing gifts their loved ones will appreciate and supporting a treasured local cultural institution.”

Mint to host Dario Robleto, Irma Boom

Robleto visits April 10 for a FREE talk; internationally-renowned book designer Boom speaks April 12 as part of CAD series.

Mint Museum Uptown will host two speakers of national and international importance next week: Texas-based artist Dario Robleto and Amsterdam-based graphic designer Irma Boom.

Robleto will visit Tuesday, April 10 for a free event from 7-9 p.m. His seven-foot-tall, five-foot-wide wreath-shaped sculpture Defiant Gardens is the most recent gift to The Mint Museum’s permanent collection made possible through the generosity of the Mint Museum Auxiliary. The Mint Museum was home to Robleto’s first solo museum exhibition in 1999.

Robleto’s poetic work of art incorporates paper pulp made from American soldier’s letters, Victorian hair flowers braided by war widows, dried flowers from various battlefields, and even tiny carrier-pigeon message capsules, recycled and re-contextualized to evoke the power of memory and history in wartime. The 39-year-old artist plans to discuss Defiant Gardens, his distinctive way of working, and the inspiration and body of work that led to its creation.

“Dario Robleto is one of the most sought-after young American artists working today,” said Brad Thomas, curator of contemporary art at the Mint. “His conceptually-based, labor-intensive works convey an intimacy and elegance that reveals much about his own personal history and that of popular culture.”

Boom will visit on Thursday April 12 at 7 p.m. as part of the museum’s Contemporary Architecture + Design (CAD) series. The event costs $10 for non-members and $5 for members and includes a light reception (visit and click on “Calendar” to register). Boom, who specializes in book-making and incorporates the sense of touch into all of her books, won the 2007 Gold Medal at the Leipzig Book Fair for “The Most Beautiful Book in the World” for “Sheila Hicks: Weaving as Metaphor,” published by Yale University Press.

Boom is currently collaborating with Annie Carlano, the Mint’s director of craft + design, on a book about Hicks’ work Mega Footprint Near the Hutch, a monumental work recently installed in the atrium of Mint Museum Uptown thanks to a gift from Target Corp. Boom plans to share her work methods and perspective on contemporary book design. “Amsterdam is considered the center of contemporary design, and Irma Boom is considered the hottest book designer on the planet,” said Carlano.

Both events are being held at Mint Museum Uptown at Levine Center for the Arts, 500 South Tryon Street.

Mint partners with Charlotte Area Transit System for public art installation

Gandy Dancer will be visible to light-rail passengers from the atrium lobby of the CATS Light Rail Facility on South Boulevard.

A new public art installation is joining the Charlotte Area Transit System’s light rail line this week. Gandy Dancer, a glass, bronze, and wood sculpture by Steve Linn, an American artist living in France, is being installed in the atrium lobby of the CATS Light Rail Facility at 3200 South Boulevard and will be visible to passengers riding the LYNX Blue Line as light rail cars go by outside its windows.

“We are grateful to have the opportunity to showcase Gandy Dancer at our CATS Light Rail Facility,” said Rocky Paiano, CATS General Manager of Rail Operations.  “The location of this sculpture creates a blended crossroads of the vast history of rail in this country to the future of mass transit in Charlotte.”

“The Mint Museum is pleased to once again share inspiration with the larger community beyond our own walls,” said Dr. Kathleen V. Jameson, President & CEO of The Mint Museum. “Gandy Dancer is a spectacular work and we look forward to the reactions and engagement of the community as it goes on public view.”

The sculpture, a gift to the museum from Daniel Greenberg and Susan Steinhauser, is a community outreach loan by The Mint Museum, which has loaned many of its works for public view throughout the region.  The term of the loan, made at no cost to CATS, is two years. Its installation was facilitated in collaboration with the CATS Art-in-Transit Program. This is the first time that CATS has displayed an artwork loaned by The Mint Museum.

Gandy Dancer commemorates the workers who built America’s railroads; its name comes from a slang term for the workers whose origin is unknown (though a common explanation suggests the motion of the workers implied dancing and their tools were said to be made by a company named Gandy). The sculpture depicts, in glass and bronze, five figures in different stages of motion that represent a single worker driving a railroad spike. The depiction has been compared with the stop-motion photographs of photographer Eadweard Muybridge (1830 – 1904). A handcar and track are rendered in wood. The use of glass to depict the gandy dancer adds a ghostly quality to the sculpture, suggesting the impact of past workers on infrastructure such as railroads that contemporary viewers encounter in their daily lives.

When installed, Gandy Dancer will create a visual dialogue about the history of railroad transportation in the United States. The sculpture, called “a wonderful combination of fact and fantasy” by Richard Maschal, arts critic for The Charlotte Observer, was previously loaned to the Charlotte Convention Center on South College Street in 2004. Donors Greenberg and Steinhauser, who live in California, have a strong relationship with The Mint Museum and have given several works of art in various media over the last 15 years.

 Steve Linn was born in Chicago and graduated from the University of Illinois with a B.S. in agriculture in 1965. As a sculptor, he worked primarily in wood and bronze until the early 1980s, when he added glass to his repertoire. He told the Los Angeles Times in 1992: “I like the danger, the possibility of risk glass poses. It challenges you.” Since 1993, he has maintained a studio in Claret, France. His work has been exhibited around the United States since 1969 and internationally since 1994, and was featured in the 1992 film “A League of Their Own.” He has taught at Smith College in Massachusetts; University of California, Santa Cruz; Pratt Institute in New York; and Centre European Recherche & Formation Arts du Verre in France.

Image caption:
Steve Linn. American, 1943-
Gandy Dancer   1986
Sandblasted glass, bronze, wood
7 x 19 x 7 feet (h x w x d)
Gift of Daniel Greenberg and Susan Steinhauser

Mint CEO wins newcomer award from Leadership Charlotte

Jameson is one of five 2012 Legacy honorees.

Charlotte, N.C. (March 8, 2012)– Dr. Kathleen V. Jameson, President & CEO of The Mint Museum, is one of five honorees in Leadership Charlotte’s 2012 Legacy Awards, Leadership Charlotte has announced.

The organization will celebrate the 2012 Legacy Awards honorees at its annual event on Thursday, April 26 at 7:30 a.m. at Time Warner Cable Arena. The Legacy Awards honor Charlotte leaders who create lasting change and measurable difference in our community.

Newcomer of the Year Award: Dr. Kathleen Jameson

The recipient of this award has lived in Charlotte five years or less and has actively sought opportunities to improve the quality of life in our community. As the President and Chief Executive Officer of the Mint Museum, Dr. Jameson has worked to increase community involvement in the arts through collaborations and programming initiatives. Last fall, more than 10,000 fifth graders toured the Romare Bearden exhibition through a partnership with the Arts and Science Council and Charlotte-Mecklenburg Schools.

Community Service Award: YWCA of the Central Carolinas

The recipient of this award has enriched and improved the quality of life in our community through creativity and innovation in community service. YWCA of the Central Carolinas provides affordable housing for women, child care for working parents, and a membership-based health and fitness center. The organization also offers community events that provide a safe place to learn about and discuss the difficult topics of racism and women’s empowerment.

Lifetime Achievement Award: Bishop George Battle

The recipient of this award has demonstrated a commitment to serving the community and made significant contributions to the betterment of Charlotte. A former Chair of the Mecklenburg County Board of Education and staunch education advocate, Bishop Battle created the Greater Enrichment Program and founded the Charlotte Mecklenburg Alliance for Public Schools. He also co-founded Urban League of the Central Carolinas and has served on numerous corporate and non-profit boards.

Schley R. Lyons Circle of Excellence Award: Harry L. Jones, Sr.

The recipient of this award must be a graduate of Leadership Charlotte and demonstrate outstanding leadership qualities in keeping with the ideals of Leadership Charlotte. Jones began serving as the fourth County Manager of Mecklenburg County in October 2000. He is responsible for overseeing the County’s $1.3 billion budget, managing its 4,400 full-time employees, and serving more than 900,000 residents.

Unsung Hero Award: Lisa Quisenberry

The recipient of this award works quietly behind the scenes for the good of the community, demonstrating leadership through dedication and service to Charlotte. Quisenberry is co-founder of Hands On Charlotte, which celebrated its 20th anniversary in 2011. Under her leadership, Hands On Charlotte built collaborations with more than 150 partner agencies and schools; created volunteer opportunities for more than 7,000 individuals per year; established a premier program for corporate volunteer engagement; and presented signature programs including Hands On Charlotte Day, Martin Luther King Day Service Forum, and 9/11 Week of Service.

Media Contact: Elizabeth McKee 704.688.2888

About Leadership Charlotte

The mission of Leadership Charlotte is to develop and enhance volunteer community leadership by providing a diverse group of emerging and existing leaders with the opportunity to increase their community knowledge, civic network, and service to the community. For more information, visit or call 704.688.2888.

Read My Pins: The Madeleine Albright Collection scheduled to open at The Mint Museum June 30

Exhibition brings an up-close look at diplomat’s jewelry – and messages

CHARLOTTE, NC (February 9, 2012) – During her career in public service, Madeleine Albright famously used her jewelry to communicate diplomatic messages. From June 30 through September 23, 2012, The Mint Museum is scheduled to present the exhibition Read My Pins: The Madeleine Albright Collection, which reveals an intriguing story of American history and foreign policy as told through Secretary Albright’s jeweled pins.
“The Mint Museum is proud to bring this groundbreaking exhibition to Charlotte audiences at the same time the city is preparing to host one of the nation’s ultimate exercises of democracy, the Democratic National Convention,” said Dr. Kathleen V. Jameson, President & CEO of The Mint Museum. The convention runs September 3-6, 2012.
Secretary Albright visited The Mint Museum Thursday to tour the galleries and speak to reporters about the planned exhibition. “I am delighted this exhibit will be in Charlotte,” she told those in attendance, “and it’s especially neat that it will happen during the convention.” She is also scheduled to return to Charlotte July 13-14 for a series of events around the exhibition, including a private invitation-only event on July 13 and public events on July 14.
Organized by the Museum of Arts and Design in New York, the exhibition features more than 200 pieces of jewelry. The collection that Secretary Albright cultivated is distinctive and democratic — sometimes demure and understated, sometimes outlandish and outspoken — and spans more than a century of jewelry design and fascinating pieces from across the globe. The works on view are chosen for their symbolic value, and while some are fine antiques, many are costume jewelry. Together the pieces in this expressive collection explore the power of jewelry to communicate through a style and language of its own.
Jewelry became part of Albright’s diplomatic arsenal in 1994 when Saddam Hussein’s government-controlled press referred to Albright, who was at that time U.S. Ambassador to the United Nations, as an “unparalleled serpent.” At her next meeting on the subject of Iraq, Albright wore a golden snake brooch, beginning a career-long practice of using jewelry to convey and reinforce diplomatic messages. Albright told reporters Thursday: “My pin collection….would not exist if it had not been for Saddam Hussein.”
“While President George H.W. Bush had been known for saying ‘Read my lips,’ I began urging colleagues and reporters to ‘Read my pins’,” Albright has said. Through this traveling exhibition and the accompanying book “Read My Pins: Stories from a Diplomat’s Jewel Box” (2009), which is on sale now in The Mint Museum Shops. Secretary Albright has given the world an opportunity to explore American history and foreign policy through the unique lens of jewelry.
Read My Pins: The Madeleine Albright Collection was organized by the Museum of Arts and Design in New York. Generous support for the original exhibition was provided by Bren Simon and for the exhibition catalogue by St. John Knits. The Mint Museum is supported by the Arts & Science Council and North Carolina Arts Council.

Toni L. Freeman hired as Chief Operating Officer

Mint Museum President & CEO Kathleen V. Jameson announces the newly-created post, effective February 13.

CHARLOTTE, NC (February 6, 2012) –Mint Museum President &
CEO Kathleen V. Jameson has announced the hiring of Toni L. Freeman to the
newly-created post of Chief Operating Officer of The Mint Museum. She
will join the staff effective February 13.

“This hire represents the latest step in an exciting
period of growth for the museum,” Jameson said in a statement to the
Mint’s staff and board of trustees. “Toni is an entrepreneurial and
strategic thinker who can help continue our journey toward being an innovative
leader among art museums nationwide.”

Freeman joins the Mint from Mecklenburg Citizens for Public
Education (MeckEd), a local education fund. “I’m thrilled to be joining the
Mint during such an exciting period of expansion, and I look forward to working
with its staff and President & CEO Kathleen Jameson to help bring it to the
next level,” Freeman said.

Freeman will report to the President & CEO and will be a
critical member of the museum’s senior management team who participates in
long-range planning and overall management of the museum. She will oversee key
departments including finance, facilities management, information technology,
special events, and the museum shop. She will also manage the museum’s
risk-management program and serve as liaison for legal matters.

Freeman has held many leadership positions in philanthropy
and finance over more than 20 years of executive management experience.
Previously she served as the Director of Donor and Business Relations at
MeckEd. As the former Director of Project Research and Evaluation at The Duke
Endowment (1999-2008), Freeman was responsible for analyzing grant trends and
results. She was also previously Senior Vice President of Finance,
Administration, and Membership at the Charlotte Convention and Visitors Bureau
and Corporate Associate Vice President at SunHealth (Premier).

She is the president-elect of the Association of Junior
Leagues International and is a founding board member and past chair of the
Charlotte Women’s Impact Fund. She served as chair of Women Executives for
Community Services, which manages a scholarship program for nontraditional
students. She serves as a Trustee for the YWCA of the Central Carolinas.
Freeman was a board director of Hospice of Charlotte Region and Lincoln County,
NPower Charlotte Region, Teen Health Connection, and Habitat for Humanity.

Murder Mystery Unfolds Uptown

Partnership between Knight Foundation and Arts & Science Council

Mystery, murder and intrigue unfold at the Mint Museum Uptown at Levine Center for the Arts and throughout Center City Charlotte beginning Jan. 31 with a story by an anonymous writer. The Lady of Charlotte follows the investigation of a murder at the Mint Museum Uptown.

The story, supported by the John S. and James L. Knight Foundation and the Arts & Science Council (ASC), will be told page-by-page at kiosks throughout Center City. Participants will begin the story at a kiosk at the corner of N. Tryon St. and 7th St.  Each page will then direct participants to the next location in Uptown to continue the story.

The two week event will begin at the kick off of ASC’s 2012 Make Your Mark campaign at the Mint Museum Uptown, Tuesday, Jan. 31 at 5:30 p.m.

Readers will be invited to “vote” on the likely suspect at before the final chapter is read at a public event on Tuesday, Feb. 14. During that event, the mystery’s author and the story’s villain will be revealed. Those who correctly guess the identity of the story’s villain will be entered into a drawing for a year-long pass to the Mint Museum and a $100 CarolinaTix gift card.

“We are excited to partner with Knight Foundation for this innovative project that will bring the written word to Charlotte in an unexpected way,” ASC President Scott Provancher said.

“Knight Foundation, through its arts funding, looks to bring the arts to the people and the people to the arts,” said Susan Patterson, Knight’s Charlotte Program Director. “A walking mystery tour seems like just the right idea.”

Charlotte Center City Partners provided the kiosk locations.

The Mint Museum announces Brad Thomas as a new curator of contemporary art

The Mint Museum has hired Brad Thomas as its new curator of contemporary art effective January 23, Mint President & CEO Dr. Kathleen V. Jameson has announced.

 The Mint Museum has hired Brad Thomas as its new curator of contemporary art effective January 23, Mint President & CEO Dr. Kathleen V. Jameson has announced.

Thomas has served as the director and curator of the Van Every/Smith Galleries at Davidson College since 1999. The newly-created Mint position is a reflection of the opportunities brought by the opening of the Mint Museum Uptown building in fall 2010. “This is a tremendous step in strengthening the museum’s commitment to modern and contemporary art, which will be a strategic priority over the next five years and beyond,” Jameson said. “Brad brings great strengths to the museum, adding depth and further expertise.”

For Thomas, the move is a natural step after more than 20 years in the local arts community. “As an undergraduate art student at UNC Charlotte in the early 90s, I was acutely aware of the sometimes polarizing nature of the arts in this community,” Thomas said. “I am excited to join The Mint Museum and its talented team of curators at this critical juncture when the arts are now a unifying source of cultural pride and identity.”

During Thomas’ tenure at Davidson, he organized dozens of exhibitions and collaborative projects, including the international artists-in-residency project Force of Nature, which centered on site-specific installations by ten Japanese artists at seven American institutions. Thomas has also led initiatives to integrate visual art into the learning experience, most notably through the establishment of Davidson’s Campus Sculpture Program, which features major outdoor installations by Magdalena Abakanowicz, Antony Gormley, Joel Shapiro, and William Tucker. He also produced publications on Magdalena Abakanowicz, Ewan Gibbs, Herb Jackson, Robert Lazzarini, Reverend McKendree Robbins Long, and Joel Shapiro. His partnership with the College Writing Program in 2012 led to the release of Davidson Collects: 100 Writers Respond to Art, the first interdisciplinary book on Davidson College’s permanent art collection, which features 100 essays on selected works by undergraduate students from a wide variety of majors.

Thomas will work closely with Carla Hanzal, curator of modern and contemporary art, and the rest of the Mint’s curatorial staff.

Mint Museum Uptown will unveil Surrealism and Beyond on February 11, 2012: 3 shows. 4 artists. 1 journey.

The Mint Museum will once again break new ground by bringing together three exhibitions comprising the largest and most significant examination of Surrealism and Surrealist-inspired art ever presented in the Southeast.

– The Mint Museum will once again break new ground by bringing together three exhibitions comprising the largest and most significant examination of Surrealism and Surrealist-inspired art ever presented in the Southeast. Surrealism and Beyond opens to the public at Mint Museum Uptown on February 11 and runs through May 13.

Organized by The Mint Museum and overseen by Jonathan Stuhlman, the Mint’s curator of American art, the project consists of three fascinating shows examining the work of four artists: Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy; Seeing the World Within: Charles Seliger in the 1940s; and Gordon Onslow Ford: Voyager and Visionary.

“I am certain that the public will enjoy this rare opportunity to see more than 100 works of art by these four important painters. There is a remarkable synergy between these exhibitions, each of which reveals a different aspect of Surrealism and its impact on 20th century art,” said Stuhlman.

The project illustrates the Mint’s commitment to being a leader in scholarship and education on all forms of art and design. “Surrealism and Beyond is an undertaking many years in the making for the Mint and for its curator, Jonathan Stuhlman,” said Dr. Kathleen V. Jameson, President & CEO of The Mint Museum. “It is an exciting opportunity to introduce our audience to these important Surrealist artists and their works, some of which have never been exhibited before.”

Details on each exhibition:

Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy

Double Solitaire explores the exchange of ideas that informed the work of the important Surrealist artists Kay Sage (American, 1898-1963) and Yves Tanguy (French/American, 1900-1955) during their 15-year relationship. It is the first exhibition to examine Sage and Tanguy’s work from this perspective, the first significant exhibition of Tanguy’s art organized by an American museum since 1955, and the first major gathering of Sage’s paintings since 1977.

By intermingling Sage and Tanguy’s paintings, this exhibition of approximately 50 works of art tells the fascinating story of the couple’s complex personal and artistic relationship and, more importantly, elucidates the commonalities and ties between each artists’ work, which historically has been kept separate. Visitors will see firsthand the impact each artist had upon the other as they explored and developed their own unique visual languages. While many of the paintings in the exhibition are drawn from prominent public collections, a number of privately-held works will also be included—some of which have never before been exhibited, and some of which the artists dedicated to each other.

Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy is organized by The Mint Museum and Katonah Museum of Art, and has also been shown at the Davis Museum and Cultural Center at Wellesley College, Wellesley, MA (where it is running through January 22 before traveling to the Mint). It is made possible through support from the Mint Museum Auxiliary and awards from the National Endowment for the Arts and the Pierre and Tana Matisse Foundation. It is accompanied by a fully illustrated catalogue.

Seeing the World Within: Charles Seliger in the 1940s

This captivating exhibition focuses on the remarkable paintings and drawings created by the American artist Charles Seliger during the first decade of his career. Born in 1926, Seliger quickly acquired a strong working knowledge of early 20th century modernism. But it was the fantastic imagery, inventive processes, and creative freedom of Surrealism that truly captured his attention and inspired him to develop his own mature aesthetic between 1942 and 1950. Although his work was rooted in the same basic principles and ideas as that of the Abstract Expressionists, many of whom he exhibited alongside in the 1940s, Seliger found a distinctly personal voice and artistic vocabulary. Because of this, he was given his first solo exhibition at Peggy Guggenheim’s “Art of this Century” gallery in 1945, when he was just 19. By the end of the decade, Seliger had narrowed his focus and further honed his style, resulting in an approach that defined his work until his death in 2009.

Seeing the World Within is the first exhibition to focus on the groundbreaking paintings Seliger created during the first decade of his career, and the first museum-organized exhibition of Seliger’s work in 30 years. It brings together approximately 35 of his best works from the 1940s, drawn from public and private collections as well as his estate.

Following its debut at the Mint, Seeing the World Within will travel to the Peggy Guggenheim Collection, Venice, Italy (June 9-September 16, 2012), and the Munson-Williams Proctor Art Institute, Utica, New York (October 20-January 20, 2013). (Please note that this part of Surrealism and Beyond closes at the Mint two weeks prior to the other exhibitions, on April 29, to facilitate its travel to Italy). This exhibition is made possible through support from the Mint Museum Auxiliary and awards from the Terra Foundation for American Art and The Dedalus Foundation, Inc., and is accompanied by a fully illustrated catalogue.

Gordon Onslow Ford: Voyager and Visionary

This is the first retrospective of the British-American Surrealist painter’s work organized by an American museum in more than 30 years. Featuring approximately 30 paintings by the artist, it is drawn entirely from his family’s collection. Many of the objects in the exhibition were either created specifically for Onslow Ford’s sister, Elisabeth, or were given to her for such special occasions as her birthdays. Because of the closeness and longevity of their relationship, the exhibition will offer visitors a look at the full range of Onslow Ford’s career – from early, more traditional canvases from the 1920s and 1930s, to his first experiments with Surrealism in the late 1930s and 1940s, to his later work from the 1950s forward, which took a more cosmic, symbolic approach to abstraction.

It is a particularly apt companion for the Sage and Tanguy and Seliger exhibitions, as it reveals another dimension of Surrealism and its impact, and features an artist who knew and worked alongside Sage and Tanguy in the 1930s and 1940s and who wrote a book on Tanguy’s artistic process in 1980. Gordon Onslow Ford: Voyager and Visionary is accompanied by a selection of ephemera and works by family-member artists who were inspirational to Onslow Ford early in his career.

This exhibition is exclusive to The Mint Museum and is made possible through support from the Mint Museum Auxiliary.

Romare Bearden billboard comes to life at the EpiCentre this Saturday!

“Living billboard” performance to capture Bearden’s music-themed work

 An innovative ad campaign recently recognized in The New York Times continues this weekend with an appearance by three live musicians accompanying Charlotte-born artist Romare Bearden’s colorful music-themed work Back Porch Serenade.

The musicians will appear as a “living billboard” in front of an advertisement featuring Bearden’s work from 1-4 p.m. this Saturday, December 10, near the Enso Asian Bistro & Sushi Bar at the EpiCentre, the entertainment complex at the corner of College and Trade streets in uptown Charlotte. The performance is part of the “EpiCentre Spread the Cheer” holiday event, which begins at 11:30 a.m. and also features an appearance by Santa and a “private snowstorm.”

The “living billboard” follows other appearances by live musicians in front of Bearden’s artworks around Charlotte in October, a campaign conceived by Charlotte advertising agency BooneOakley. “Art can blend in, and sometimes goes unnoticed,” David Oakley, president and co-creative director of BooneOakley, told the Times. “But we’re trying to make it more part of the culture, and more three-dimensional and alive.” The Times highlighted the campaign as one of several around the nation that “bring art and artists to life.”

Saturday’s performance is aimed at promoting a special event, the Mint’s Community Homecoming Weekend coming up on January 7-8, which concludes the Romare Bearden: Southern Recollections exhibition. The FREE two-day event at Mint Museum Uptown includes live music, hands-on art activities and lots of memories. The museum will premiere excerpts from the groundbreaking Romare Bearden Memory Train, a documentary and video collage that celebrates the reflections of the community that inspired Bearden’s work. From now through that weekend, visitors to the exhibition can contribute to the video using kiosks, or the public can email video contributions anytime via smartphone by sending to the email address