Jasper Lee

Jasper Lee
birmingham, alabama

Instagram: @jasperlee.studio

 

 

 

 

 

 


Silver in the Churn
2019 Video (color, sound), full duration: 9:00

Courtesy of the artist

Silver in the Churn uses natural phenomena, bodily gestures and views of the Southern landscape to explore superstition, ritual and the sacred. Drawing from research into Southeastern superstitions, the abstract lyrical quality of this lore is woven into a hypnotic audio-visual song through repetition and juxtaposition.

Joyce Watkins King

Joyce Watkins King
raleigh, north carolina

Instagram: @jwkingartist

 

 

 

 

 

 


Joyce Watkins King. Familial Threads: Memory and Loss, 2017, mono-printed shirt collars on paper, thread. Courtesy of the artist.

Familial Threads: Memory and Loss
2017, Mono-printed shirt collars on paper, thread
Courtesy of the artist

I grew up as a child of the South and a descendant
of Eli Whitney in the small town of Oxford, NC with a mom who sewed my clothes as did her mother before her. Learning to sew while I was in middle school was my introduction to soft sculpture, though I did not realize it until I was studying at the NC State University College of Design many years later.

As a lifelong artist and designer, I have worked in many media during my career but returned to my roots in ber, fabric, and sewing in 2005 during an artist’s residency at Vermont Studio Center. For me, textiles are part of a universal language that cuts across all cultures, providing beauty, utility, and symbols for special occasions: births, initiations and celebrations. Fabric itself is a metaphor for how many separate strands (fragile thread or yarn) are fashioned together to make something strong, lasting and beautiful.

In opposition to the escalating trend of consuming and rapidly disposing of cheaply made clothing without consideration for the devastating e ects on ber growers, laborers, consumers, and especially the environment, in my most recent body of work I reuse garments, fabric, and thread whenever possible.

Chieko Murasugi

Chieko Murasugi
chapel hill, north carolina

Instagram: @cmurasugi

 

 

 

 

 


Chieko Murasugi. Roshambo (Rock, Paper, Scissors) #19, 2019, acrylic, collage (including nori), and black Flashe on Arches paper. Courtesy of the artist.
Instagram: @cmurasugi

Roshambo #19
2019, Acrylic, collage (including nori), and Flashe on Arches Paper
Courtesy of the artist

Each work in the Janken series consists of both painted and collage elements. The white collage pieces reference samurai armors, artifacts, and weapons preserved in museum collections. These pieces are cut out from older works on paper that contain toned paper, organic pigments, inks, and nori. The painted forms in Janken are inspired by Bauhaus and Op Art, with their at origami- inspired colors, ambiguous and shifting geometric forms. These illusive shapes allude to the shifting, transient, and often unreliable processes of memory and history.

Major juried exhibition with $16,000 in cash prizes to open on Oct. 10

Major juried exhibition with $16,000 in cash prizes to open on Oct. 10 at The Mint Museum

Charlotte, NC (October 1, 2019): The Mint Museum is pleased to announce its upcoming presentation of Coined in the South, a major juried exhibition with $16,000 in cash prizes that will showcase some of the most innovative and emerging artists in the Southeast. Organized in partnership with the Young Affiliates of the Mint, the show will be on view from October 10, 2019 through February 16, 2020 in Mint Museum Uptown’s Level 4 Brand Special Exhibition Galleries.

Ken West. Black Boys Cry, 2018, metallic paper. Courtesy of the artist.

The purpose of the exhibition is simple: to bridge the gap between the museum, gallery and studio, and to present fresh and innovative works that have not yet been seen by a broader audience. Nearly 2,000 works of art were submitted for consideration; 65 were selected. The artists range in age from 23 years old to 82 years old, and hail from North Carolina, South Carolina, Georgia, Tennessee, and Virginia.

Unconfined to any aesthetic, the works of art are made from materials ranging from the traditional (oil on canvas and collage) to the decidedly untraditional. Consider one piece made from concrete, brass-plated chains, and human hair, or another made from steel saw dust, alpaca fur, and alligator skin. Some explore personal and familial histories, while others explore notions of place and identity. Some are gurative, others abstract. They evoke humor, tenderness, whimsy, and awe.

The 65 works were selected by jurors Adam Justice, Jonell Logan, and Marilyn Zapf—all well respected in uencers in the southeast’s art scene. On the night of the opening, Oct. 10, the jurors will announce the $10,000 Atrium Health Prize, and the Young Af liates of the Mint (better known as the YAMs), will award a $5,000 winner. Over the next few months, visitors will have the opportunity to vote in the gallery on the $1,000 “People’s Choice” award, which will be named at the end of the year.

“One of the roles of a museum is to reflect the pulse and energy of the artistic community where it resides,” says The Mint Museum’s President and CEO Todd A. Herman, PhD. “Coined in the South shines a spotlight on the quality, themes, and diversity of narratives that are being generated by artists in our own backyard.”

The name Coined in the South refers to both The Mint Museum’s origins as the first branch of the U.S. Mint, as well as to the act of inventing. Many of the artists have created works so unforgettable they’re in a class all their own.

Adrian Rhodes. Searching for Callisto (detail), 2018, woodcut print installation with dyed paper and sky chart wall collage. Courtesy of the artist.

This is the fourth juried exhibition put on by the YAMs, following on the successes of 80×80 (2016), Gendered (2017), and Mainframe (2018). These exhibitions revived a tradition of the museum—from the 1950s through the 1990s, the Mint hosted a number of juried shows, highlighting the work of talented local artists.

“When we sat down and cooked up the idea for 80×80, the Young Affiliates’ inaugural art show in 2016, we had no idea what would unfold,” says Lauren Harkey, former president of the YAMs and co-creator of the YAMs inaugural art show.

“We were instantly humbled by the response and energy our ‘little show that could’ created. And today, in its fourth iteration, it is a proud moment to see the YAMs partner with The Mint Museum and witness this show really grow up and into its own.”

Senior Curator of American Art Jonathan Stuhlman, PhD, served as the Mint’s curator of the show. Kaitlyn McElwee and Anna Hamer served as the YAMs art show co-chairs.

 

Coined in the South is generously sponsored by Atrium Health, with additional support from Cran ll Sumner & Hartzog LLP.

 


Interested in interviewing artists, show organizers, jurors, or anyone from the museum? Reach out to the Mint’s Director of Marketing & Communications, Caroline Portillo, at caroline.portillo@mintmuseum.org or call 704-337-2009.


About The Mint Museum

Established in 1936 as North Carolina’s rst art museum, The Mint Museum is a leading, innovative cultural institution and museum of international art and design. With two locations—Mint Museum Randolph in the heart of Eastover and Mint Museum Uptown on South Tryon Street—the Mint boasts one of the largest collections in the Southeast and is committed to engaging and inspiring members of the global community.

About the Young Affiliates of the Mint (YAMs)

The Young Af liates of the Mint (the “YAMs”) is a diverse group of young professionals promoting and supporting The Mint Museum through cultural engagement, social leadership, and fundraising events. Established in 1990, the YAMs are the premier social arts organization for young professionals in Charlotte. All proceeds raised by the YAMs sponsor free tours of The Mint Museum for local school students to inspire a new generation of artists, art enthusiasts, and leaders.


Artists selected for this year’s show:

Deighton Abrams (Seneca, SC)
Eleanor Annand (Penland, NC)
Yvette L. Cummings Arendt (Conway, SC)
Austin Ballard (Charlotte, NC)
Johannes Barfield (Winston-Salem, NC)
Ivana Milojevic Beck (Raleigh, NC)
Susan Brenner (Charlotte, NC)
Amanda Britton (Athens, GA)
Danielle Burke (Asheville, NC)
Thomas Campbell (Penland, NC)
Erin Canady (Durham, NC)
Micah Cash (Charlotte, NC)
Erin Castellan (Penrose, NC)
Kevin Cole (Fairburn, GA)
Sarah Elizabeth Cornejo (Carrboro, NC)
Travis Donovan (Banner Elk, NC)
Robert Fritsche (Huntersville, NC)
Riley Hammond (Richmond, VA)
Caroline Hatfield (Carrolton, TX (formerly Claiborne County, TN)
Donna Cooper Hurt (Charleston, SC)
Joyce Watkins King (Raleigh, NC)
Kenn Kotara (Asheville, NC)

Nathaniel Lancaster (Charlotte, NC)
Jasper Lee (Birmingham, AL)
Elizabeth Lide (Atlanta, GA)
Jackson Martin (Asheville, NC)
Rachel Meginnes (Bakersville, NC)
Chieko Murasugi (Chapel Hill, NC)
Claire Pope (Hickory, NC)
Chloé Rager (Durham, NC)
Adrian Rhodes (Hartsville, SC)
Kristi Ryba (Charleston, SC)
Katie St. Clair (Davidson, NC)
Tom Schmidt (Charlotte, NC)
MJ Sharp (Durham, NC)
Beverly Smith (Charlotte, NC)
Tema Stauffer (Johnson City, TN)
Denise Stewart-Sanabria (Knoxville, TN)
Stephanie Sutton (Buford, GA)
Harrison Walker (Athens, GA)
Jan-Ru Wan (Chapel Hill, NC)
Shane Ward (Chattanooga, TN)
Ken West (Mableton, GA)
Fletcher Williams, III (North Charleston, SC)
Stephanie J. Woods (Charlotte, NC)